CALACCITRA: JURNAL FILM DAN TELEVISI
type: channel
description: Jurnal Calaccitra adalah media publikasi ilmiah di bidang kajian/perancangan serta kajian budaya terhadap media, produksi film, televisi, dan animasi. Jurnal Calaccitra menerima artikel dengan topik atau membahas tentang: (1) produksi film, (2) media, (3) televisi, (4) animasi, (5) videografi, (6) sinematografi, (7) teknologi terapan terbaru di bidang produksi film, televisi, dan animasi, (8) metode pendidikan dalam pengajaran film, media, televisi, dan animasi, (9) budaya dalam ranah media, film, televisi, dan animasi. Nama Jurnal : Jurnal Calaccitra Frekuensi Terbitan : 2 terbitan per tahun E-ISSN / P-ISSN : 2798-4370 / 2798-6152 Penerbit : UPT Pusat Penerbitan LP2MPP ISI Denpasar Pengelola : Program Studi Produksi Film Dan Televisi, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar Indeks Jurnal : Google Scholar
publisher: UPT Pusat Penerbitan LP2MPP ISI Denpasar
language: id
publication name: CALACCITRA: JURNAL FILM DAN TELEVISI
issn: 2798-6152
items: PERAN MEDIA LOKAL “INFO PURWOKERTO” DALAM PENYEBARAN INFORMASI PUBLIK DI PURWOKERTO
items: SINEMATOGRAFI DALAM PENYAMPAIAN EMOSI NON-VERBAL PADA FILM TAK KEMBALI LAGI
items: PERANCANGAN BAHASA VISUAL DALAM PENCIPTAAN KARYA FILM PENDEK DARA DALAM BELENGGU
items: PRODUKSI PROGRAM VARIETY SHOW “NGOPI” SEBAGAI MEDIA HIBURAN DAN EDUKASI DI TVRI BALI
items: PENERAPAN GAYA SINEMATOGRAFI SLOW BURN DALAM FILM KALA MENTARI BERLALU
items: PERAN PENATA ARTISTIK DALAM FILM FIKSI DARA DALAM BELENGGU INSTITUT SENI INDONESIA BALI
items: PENCIPTAAN ARTISTIK DENGAN PENDEKATAN REALISME MAGIS DALAM FILM PENDEK “PANTAI INI MILIK SIAPA?” DI CV. RADITYA JAYA MAHARDIKA
items: PENERAPAN GAYA PENYUTRADARAAN HUMANIST DIRECTION DALAM FILM PENDEK DRAMA "KALA MENTARI BERLALU"
items: KONSTRUKSI IDENTITAS KARAKTER LANSIA DALAM PENYUTRADARAAN FILM PENDEK “SEPI DI UJUNG HARI”
items: PENERAPAN STRUKTUR 8 BABAK PADA NASKAH FILM RERANTIG SENJA DI RUMAH PRODUKSI CV. LUAR KOTAK AUDIOVISUAL
items: GAYA DAN STRUKTUR DOKUMENTER DI BALIK LAYAR PRODUKSI FILM PENDEK CENING NEPUKIN I KAWA
items: PENCIPTAAN FILM DOKUMENTER RUPA JIWA TOPENG SINGAPADU DENGAN GAYA EKSPOSITORI
items: PENERAPAN GAYA EKSPOSITORI PADA FILM DOKUMENTER COSMIC ENERGY I KETUT BUDIANA
items: PENERAPAN STORY TELLING PADA MUSIC VIDEO BAND THE MUNCHEIS
items: PENERAPAN GAYA EKSPOSITORI DALAM FILM DOKUMENTER PENDEK “LUDRUK DI UJUNG TANDUK”
items: PENERAPAN GAYA PENYUTRADARAAN MIKE LEIGH DALAM MEMBANTU PENGUATAN KARAKTER PENOKOHAN PADA FILM FIKSI “TROLL“
items: PENGGUNAAN GAYA EKSPOSITORI DALAM PRODUKSI FILM DOKUMENTER “MANTRA SARIRA“
items: PENERAPAN RASIO 9:16 DALAM PRODUKSI IKLAN LAYANAN MASYARAKAT PENCEGAHAN STUNTING
items: PENERAPAN KONSEP PARALLEL DALAM STRUKTUR 3 BABAK PADA PENULISAN SKRIP FILM FIKSI DRAMA FANTASI “LOKA GAMA”
items: PENERAPAN TEKNIK KAMERA HANDHELD UNTUK MENINGKATKAN UNSUR DRAMATIK DALAM FILM PENDEK UNPAID SOULS
items: PENCIPTAAN IKLAN LAYANAN MASYARAKAT DENGAN TEMA PENGELOLAAN SAMPAH RUMAH TANGGA
items: PENERAPAN GAYA PENYUTRADARAAN HITCHCOCKIAN DALAM FILM PENDEK THRILLER UNPAID SOULS
items: PENCIPTAAN IKLAN LAYANAN MASYARAKAT DENGAN TEMA BIJAK BERMEDIA SOSIAL
items: DOKUMENTER EKSPOSITORI “RESONANCE OF CHANGE”
items: PRODUKSI IKLAN LAYANAN MASYARAKAT TEMAN BUS DENGAN GAYA CERITA SINEMATIK DI PT HAI BANANA PRODUCTION
items: PENCIPTAAN FILM DOKUMENTER “KEMBANG JENAR” DENGAN GAYA EKSPOSITORI
items: PRODUKSI FILM DOKUMENTER PENDEK AUTHENTIC MEMORIES DENGAN GAYA EKSPOSITORI
items: KOMPOSISI GAMBAR DALAM PENCIPTAAN IKLAN LAYANAN MASYARAKAT LINGKUNGAN HIDUP
items: ANALISIS TEKNIK PENGAMBILAN GAMBAR DALAM FILM THE NEIGHBORS’ WINDOW: MENGGALI EMOSI MELALUI SINEMATOGRAFI
items: ANALISIS UNSUR ARTISTIK SEBAGAI PENDUKUNG DRAMATISASI DALAM FILM PENGABDI SETAN 2

PERAN MEDIA LOKAL “INFO PURWOKERTO” DALAM PENYEBARAN INFORMASI PUBLIK DI PURWOKERTO
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description: This research aims to find out how the role of local media "Info Purwokerto" in the dissemination of public information in Purwokerto. This study investigates the role of local media "Info Purwokerto" in contributing to the dissemination of public information in Purwokerto. Data was collected through in-depth interviews with "Info Purwokerto" managers, local government representatives and local community members. This data collection method uses a descriptive qualitative approach. According to the research results, "Info Purwokerto" plays an important role as a reliable source of information for the people of Purwokerto. This media can disseminate various types of public information, including government policies, local events, and emergency situations. In addition, "Info Purwokerto" is an interactive platform that enables two-way communication between the government and the community, aiming to increase public participation and information transparency. However, issues such as ensuring the truth of information and preventing the spread of hoaxes are still a major concern. This study recommends increasing cooperation between "Info Purwokerto" and government institutions and media literacy training for the community to maximize the role of the media.
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creator: Sabila Dini
rights: Hak Cipta (c) 2026 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2026-07-06
publication date: 2026-07-06
starting page: 51
ending page: 58

SINEMATOGRAFI DALAM PENYAMPAIAN EMOSI NON-VERBAL PADA FILM TAK KEMBALI LAGI
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description: The short film Tak Kembali Lagi is a fictional drama-romance work that explores the dynamics of a relationship breakdown through a non-verbal emotional approach. This work is based on the idea that conflicts in relationships do not always emerge through explicit verbal confrontation, but rather develop gradually through silence, emotional distance, and routines that lose their meaning. Therefore, cinematography is positioned as the primary visual language in conveying the characters’ inner states and relational dynamics. This article examines the creative process of Tak Kembali Lagi with a focus on the role of the Director of Photography (DOP) in designing and implementing visual aesthetics that support emotional storytelling. A realist approach is employed as the aesthetic foundation through the application of cinematographic techniques such as long takes, natural lighting, negative space composition, and frame-in-frame. The creation method consists of concept exploration, pre-production, production, and post-production stages. The results indicate that cinematography plays a significant role in communicating non-verbal emotions and enhancing the audience’s emotional experience without reliance on dialogue.
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creator: I Gusti Agung Deta Nanda Nugraha
creator: I Made Denny Chrisna Putra
creator: I Wayan Agus Mahardika
rights: Hak Cipta (c) 2026 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2026-07-06
publication date: 2026-07-06
starting page: 39
ending page: 50

PERANCANGAN BAHASA VISUAL DALAM PENCIPTAAN KARYA FILM PENDEK DARA DALAM BELENGGU
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description: Film is an audio-visual medium that possesses the power to convey meaning through moving images; however, strictly relying on verbal dialogue or verbalism remains a common issue in practice. The creation of the short fiction film Dara dalam Belenggu addresses the psychological issue of body anxiety in adolescents, demanding a specific visual approach to depict internal conflict without explicit verbal explanation. This article discusses the application of Cinematic Language by the cinematographer as a narrative solution to visualize the isolation and mental pressure experienced by the protagonist, Anari. The creation method focuses on Shot Design utilizing Negative Space and the application of lighting with a Progressive Contrast Ratio. The results demonstrate that the use of tight, restrictive framing (claustrophobic) and the shift in light contrast ratio from flat to high contrast successfully represent the emotional escalation and the character's feeling of being "shackled" symbolically. Through this approach, visual elements effectively function as the primary storyteller, building the atmosphere and character emotion..
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creator: Thoriq Sihabudin
creator: I Made Denny Chrisna Putra
creator: I Nyoman Payuyasa
rights: Hak Cipta (c) 2026 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2026-07-06
publication date: 2026-07-06
starting page: 32
ending page: 38

PRODUKSI PROGRAM VARIETY SHOW “NGOPI” SEBAGAI MEDIA HIBURAN DAN EDUKASI DI TVRI BALI
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description: The NGOPI (Ngobrolin Orang Penuh Inspirasi) variety show is designed as an entertainment and educational program produced and broadcast via live streaming on the YouTube channel "Pande Argy". This research is a creation study (practice) using a descriptive-qualitative approach through production documentation, field observations, and post-broadcast evaluation. The production process includes pre-production (production book, rundown, PPM), production (live multicam), and post-production (evaluation & archiving). The results indicate success in building a warm and communicative segment format, but faced technical obstacles such as delayed broadcast starts and audio problems that affected the initial quality of the broadcast. Practical recommendations include increasing technical preparation time, strict audio checking protocols, and adding a short rehearsal before broadcast. This work contributes in the form of a practical guide for live streaming variety show production and learning materials for the development of similar programs.
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creator: Pande Putu Argyananta Artana
creator: Ida Bagus Hari Kayana
creator: Made Rai Budaya Bumiarta
rights: Hak Cipta (c) 2026 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2026-07-06
publication date: 2026-07-06
starting page: 26
ending page: 31

PENERAPAN GAYA SINEMATOGRAFI SLOW BURN DALAM FILM KALA MENTARI BERLALU
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description: The short film Kala Mentari Berlalu addresses the issue of the sale of rice field land in Bali through a child’s perspective, employing a slow-burn cinematographic approach. This research/creative project aims to analyze the role of the Director of Photography in shaping visual rhythm, emotional resonance, and the transformation of visual style from realism to surrealism. The method applied is practice-based research, encompassing stages of conceptualization, visual design, production, and evaluation. The results indicate that the slow-burn approach is effective in gradually building the audience’s emotional engagement through long shot durations, minimalist camera movement, and subtle lighting. This film is expected to contribute to the development of fictional film cinematography practices with a reflective approach.
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creator: I Putu Suyandana
creator: I Made Denny Chrisna Putra
creator: Gangga Lawranta
rights: Hak Cipta (c) 2026 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2026-07-06
publication date: 2026-07-06
starting page: 19
ending page: 25

PERAN PENATA ARTISTIK DALAM FILM FIKSI DARA DALAM BELENGGU INSTITUT SENI INDONESIA BALI
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description: The internship program is part of the Merdeka Belajar Kampus Merdeka (MBKM) initiative, which aims to connect academic learning with professional industry practice. The author completed an internship at PT. Boklaa Bali Film, a company engaged in film production and creative media content. The internship focused on the role of the art department in the production of the fictional short film Dara Dalam Belenggu. The internship activities were carried out through observation, interviews, active participation, and direct documentation during the pre-production, production, and post-production stages. Through this process, the author gained knowledge regarding the workflow and responsibilities of the art department, as well as strategies for addressing visual and technical challenges in the field. These challenges included adapting set designs to the narrative concept, selecting appropriate props, and managing color schemes and visual textures to support the emotional atmosphere of each scene. The application of semiotic elements also contributed to strengthening the storytelling and visual meaning of the film. In addition, the internship provided skill development in creating set design sketches, arranging spatial layouts, and collaborating with other departments such as cinematography, lighting, and costume. From a technological perspective, the author learned to use design and visualization software, including SketchUp and Coohom, to support artistic planning and set design development in accordance with the film’s narrative needs. The internship process was analyzed using a descriptive approach to examine the relationship between theoretical knowledge obtained in academic studies and its application in professional practice. The results of this internship enhanced the author’s technical competencies in production design and increased awareness of the importance of interdepartmental collaboration in film production, contributing to better preparation for entering the …
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creator: Arinanda Kesuma
creator: Ni Kadek Dwiyani
creator: Desak Putu Yogi Antari Tirta Yasa
rights: Hak Cipta (c) 2026 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2026-07-06
publication date: 2026-07-06
starting page: 13
ending page: 18

PENCIPTAAN ARTISTIK DENGAN PENDEKATAN REALISME MAGIS DALAM FILM PENDEK “PANTAI INI MILIK SIAPA?” DI CV. RADITYA JAYA MAHARDIKA
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description: Film is an audio-visual medium that serves not only as entertainment but also as a means of conveying ideas and social reflection through aesthetic expression. Artistic elements play an important role in shaping atmosphere, strengthening character portrayal, and supporting narrative meaning. This Final Project report discusses the creation of the short film “Pantai Ini Milik Siapa?”, focusing on the role of artistic elements in supporting a magical realism approach. The study emphasizes the use of makeup and visual design as symbolic visual strategies to represent social issues. The results show that conceptually designed artistic elements effectively support magical realism while reinforcing character development and social commentary.
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creator: Glorya Trivika
creator: I Kadek Puriartha
creator: Putu Raditya Pandet
rights: Hak Cipta (c) 2026 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2026-07-06
publication date: 2026-07-06
starting page: 8
ending page: 12

PENERAPAN GAYA PENYUTRADARAAN HUMANIST DIRECTION DALAM FILM PENDEK DRAMA "KALA MENTARI BERLALU"
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description: This final project report examines the application of the Humanist Direction directing approach in the creation of a short drama film entitled Kala Mentari Berlalu. Kala Mentari Berlalu is inspired by the growing phenomenon of land selling among Balinese communities, which affects not only economic conditions but also cultural values, identity, and emotional attachment to ancestral land. The creative process follows three main stages: pre-production, production, and post-production. The results indicate that the Humanist Direction approach effectively conveys inner character conflicts without excessive dramatization, while clearly delivering a social message about land as cultural heritage, living space, and identity. This film is expected to function as both a reflective medium for audiences and an academic reference for humanist-based film directing practices.
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creator: Gede Bumi Apnala Bayu
creator: Gede Basuyoga Prabhawita
creator: Putu Raditya Pandet
rights: Hak Cipta (c) 2026 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2026-07-06
publication date: 2026-07-06
starting page: 1
ending page: 7

KONSTRUKSI IDENTITAS KARAKTER LANSIA DALAM PENYUTRADARAAN FILM PENDEK “SEPI DI UJUNG HARI”
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description: This research explores the construction of elderly character identities in the short film "Sepi di Ujung Hari." Using Carl Plantinga’s theory, the study examines how cinematographic techniques, storytelling, and direction shape audience perception. Through script analysis, cinematography review, and directorial study, findings reveal that close-up shots, lighting contrast, and framing effectively convey emotions and psychological depth. The narrative structure further strengthens audience empathy by depicting the internal struggles of elderly individuals. Additionally, directorial choices, such as actor direction and blocking, significantly enhance authenticity. This study provides valuable insights for filmmakers in constructing engaging elderly characters and contributes to broader discussions on elderly representation in cinema.
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creator: Raniya Jasmine
creator: I Made Denny Chrisna Putra
creator: Made Rai Budaya Bumiarta
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-12-14
publication date: 2025-12-14
starting page: 47
ending page: 50

PENERAPAN STRUKTUR 8 BABAK PADA NASKAH FILM RERANTIG SENJA DI RUMAH PRODUKSI CV. LUAR KOTAK AUDIOVISUAL
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description: Kampus Merdeka is a policy initiated by the Indonesian Ministry of Education and Culture that allows students to develop interdisciplinary skills, one of which is through the Merdeka Belajar Kampus Merdeka (MBKM) program. In this final report, the author collaborated with Luar Kotak Audiovisual to develop an independent project in the form of a fictional film script titled RERANTING SENJA. This final project discusses the process of creating a fictional film script entitled Reranting Senja, which highlights themes of self-recovery after loss, emotional pressure, and identity exploration. The story centers on the main character, Raka, a photographer experiencing an existential crisis following the death of his father and the emotional strain in his relationship with his partner, Laras. The project adopts the Eight-Sequence Structure (Elizabeth Lutters) as the narrative framework. This structure is used to shape the emotional transitions of the character gradually and dynamically, from the initial set-up, internal conflict, to a resolution that touches both psychological and spiritual aspects. The creative process began with the exploration of themes such as grief and relational tension, which were visualized through elements like photography, silent spaces, and symbols of familial memory. The scriptwriting adopts a character-driven approach, where the narrative development is shaped by the protagonist’s internal conflicts. Elements such as reflective dialogues, still visuals, and dramatic rhythm are used to deepen the atmosphere and evoke emotional responses from the audience. The final result is a fictional script with a duration of approximately 90 minutes, consisting of 28 major scenes that represent the transformative chapters of Raka’s journey. Through Reranting Senja, the author attempts to portray that healing is not about returning to who we once were, but about becoming someone new. This work aims to reflect on mental health issues and the importance of heal…
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creator: Daffa Nabawi Effendi
creator: Gede Basuyoga Prabhawita
creator: Ida Bagus Hari Kayana Putra
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-12-14
publication date: 2025-12-14
starting page: 40
ending page: 46

GAYA DAN STRUKTUR DOKUMENTER DI BALIK LAYAR PRODUKSI FILM PENDEK CENING NEPUKIN I KAWA
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description: The documentary film Melihat Cening dan Kawa explores the implementation of documentary styles and Dan Harmon’s Story Circle structure to construct a compelling narrative. Unlike conventional documentation videos that merely record events chronologically, this documentary interprets and presents reality with emotional depth and storytelling elements. By analyzing Bill Nichols’ six documentary modes and their seven defining aspects, the film balances observational and participatory approaches. The creation process, divided into three stages—pre-production, production, and post-production—aligns with the production of the main film, Cening Nepukin I Kawa, ensuring a coherent structure and thematic relevance. The findings indicate that the documentary is including some of the documentray styles and structured. The use of Story Circle enhances the narrative arc, providing a clear and engaging progression. Each production phase contributes to a well-rounded story, capturing significant moments that deepen the audience’s understanding of the filmmaking journey.
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creator: Gespanne Fayyadh Oktrino
creator: I Made Denny Chrisna Putra
creator: Made Rai Budaya Bumiarta
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-12-14
publication date: 2025-12-14
starting page: 34
ending page: 39

PENCIPTAAN FILM DOKUMENTER RUPA JIWA TOPENG SINGAPADU DENGAN GAYA EKSPOSITORI
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description: Rupa Jiwa Mask Singapadu is a documentary film exploring the beauty of mask art of Singapadu as one of Bali's cultural heritages rich in aesthetic value, philosophy, and spirituality. The film uses an exposure approach to describe the process of making masks, ranging from material selection to completion, and features in-depth interviews with local artists such as Cokorda Alit Artawan. This documentary also highlights the role of mask art in the traditional and spiritual traditions of Balinese people, while uncovering the challenges of preserving this art in the midst of modernization.
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creator: Ida Ayu Diah Indrani Camuni Dewi
creator: I Kadek Puriartha
creator: I Nyoman Payuyasa
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-12-14
publication date: 2025-12-14
starting page: 26
ending page: 33

PENERAPAN GAYA EKSPOSITORI PADA FILM DOKUMENTER COSMIC ENERGY I KETUT BUDIANA
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description: Documentary films are a development according to non-fiction films where documentary films contain information & contain the subjectivity of the makers. This means that what is recorded is based on existing facts (Nugroho, 2007). According to Chandra Tansil (2010:5), the stages of making a documentary film are divided into six parts, namely Building ideas, Research, Composing a storyline, Composing production design, Filming, Editing images and sound on the editing table. Expository Documentary Films or Documentaries that focus on presenting facts and information with clear and objective narratives. Expository documentaries are one type of documentary film that aims to convey information, facts, or knowledge to the audience objectively and informatively. The production of the documentary film "Cosmic Energy I Ketut Budiana" raises the story of artist I Ketut Budiana which shows how the creative process of artist I Ketut Budiana in creating his work where the artist explores the basic concepts of cosmos life, namely concepts that are actually universal, born from the appreciation of Balinese spiritual values. This documentary aims to show the results of cultural art works created by a maestro who is very creative and innovative in his work. The process of creating the documentary film “Cosmic Energy I Ketut Budiana” involved partners and supervising lecturers who have helped to create a work that has continued benefits until the work is quickly completed.
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creator: Ni Kadek Asri Suardewanti
creator: I Kadek Puriartha
creator: Ida Bagus Hari Kayana Putra
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-12-14
publication date: 2025-12-14
starting page: 20
ending page: 25

PENERAPAN STORY TELLING PADA MUSIC VIDEO BAND THE MUNCHEIS
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description: This final project explores the application of storytelling techniques in the production of three music videos (MVs) by the band The Muncheis, namely “It Is What It Is,” “Freedom,” and “Friends.” The primary goal is to communicate the messages of the songs through a narrative and emotional visual approach. The creative process was carried out in three main stages: pre-production, production, and post-production. Pre-production involved lyric analysis, visual concept development, scriptwriting, and assembling the production team. Filming techniques such as handheld shots and warm color composition were used to enhance the emotional connection between the audience and the characters. Post-production processes, including rough cut, fine cut, picture lock, and color grading, were conducted to refine the final output. The results demonstrate that storytelling can enrich the emotional dimension of MVs and help audiences better grasp the intended messages, turning MVs into compelling narrative media beyond music promotion.
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creator: I Putu Gede Hari Dhanan Jaya Das
creator: I Kadek Puriartha
creator: Desak Putu Yogi Antari Tirtayasa
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-12-14
publication date: 2025-12-14
starting page: 13
ending page: 19

PENERAPAN GAYA EKSPOSITORI DALAM FILM DOKUMENTER PENDEK “LUDRUK DI UJUNG TANDUK”
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description: The documentary film Ludruk di Ujung Tanduk explores the declining presence and preservation efforts of Ludruk, a traditional theatrical art from East Java, especially in Surabaya. Utilizing an expository style combined with poetic nuances, the film attempts to deliver cultural values and socio-political reflections through structured narration and authentic interviews. Key figures such as Cak Kartolo and Bunda Nonik Arboyo provide firsthand insight into Ludruk’s current reality. The documentary serves as both cultural preservation and educational media, aiming to raise awareness among modern viewers, particularly youth, about the urgency of safeguarding intangible heritage amid globalization.
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creator: Rangga Bertrand Ariesta
creator: Ni Kadek Dwiyani
creator: Gangga Lawranta
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-12-14
publication date: 2025-12-14
starting page: 8
ending page: 12

PENERAPAN GAYA PENYUTRADARAAN MIKE LEIGH DALAM MEMBANTU PENGUATAN KARAKTER PENOKOHAN PADA FILM FIKSI “TROLL“
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description: Film is a complex medium that combines visual, audio, and narrative elements to convey messages to the audience. In the world of filmmaking, the director plays a crucial role as the creative leader who translates the script into a visual work. This research aims to apply the directing style of Mike Leigh, known for his improvisational approach and deep character development, to enhance characterization in the short fiction film titled TROLL. The film addresses the social issue of toxic masculinity, which often has a negative impact on men’s mental health. The research methodology consists of three main stages: pre-production, production, and post-production. During the pre-production phase, extensive research, casting, and vision alignment among the production team are conducted. The production phase focuses on character exploration and realist cinematography techniques. The post-production phase involves visual and audio editing to ensure the final product aligns with the intended vision. The result is a 15-minute short film that successfully portrays the destructive effects of toxic masculinity through an emotional narrative and realistic characters. In conclusion, Mike Leigh’s approach proves effective in creating authentic characters and delivering a profound social message to the audience.
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creator: Wayan Ari Pramana Putra
creator: Ida Bagus Hari Kayana Putra
creator: Gede Basuyoga Prabhawita
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-12-14
publication date: 2025-12-14
starting page: 1
ending page: 7

PENGGUNAAN GAYA EKSPOSITORI DALAM PRODUKSI FILM DOKUMENTER “MANTRA SARIRA“
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description: Mantra Sarira is a documentary film that explores body painting as a reflection of the dynamic interplay between tradition and modernity in Balinese culture. Through the creative journey of body painting artists, the film examines two main dimensions: the sacred Ngerebeg ritual in Tegallalang, deeply rooted in spiritual values, and modern body painting as a medium for self-expression and contemporary aesthetics. Using an expository approach, the documentary presents a rich visual narrative, in depth interviews with artists, and authentic documentation of the creative process. This study reveals that body painting not only preserves cultural heritage but also transforms into an innovative part of the contemporary art industry, offering both economic and creative opportunities. The findings suggest that body painting serves as a bridge between two worlds—traditional and modern—by combining symbolic meaning with artistic freedom. This research aims to contribute to the understanding of contemporary art development in Indonesia, strengthen appreciation for traditional arts, and inspire younger generations to merge personal creativity with deep cultural roots.
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creator: Gabriela Angelica
creator: Made Rai Budaya Bumiarta
creator: Gangga Lawranta
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-08-27
publication date: 2025-08-27
starting page: 90
ending page: 97

PENERAPAN RASIO 9:16 DALAM PRODUKSI IKLAN LAYANAN MASYARAKAT PENCEGAHAN STUNTING
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description: The production of community service advertisements entitled "Prevention of Stunting" was created with the aim of providing an understanding to the public about the dangers of stunting. This public service advertisement told tell you what are the causes of stunting, food solutions, and also what government programs are in progress. Social media is a platform that provides easier access to a wider community. This community service advertisement was made with several stages, namely ideas and then development for reliable observed for data. The work creation process involves partners and institutions in order to create works that have continuous benefits. This community service advertisement with the theme of stunting prevention can be one of the choices of advertising work that is able to package stories and information in an attractive format, namely in the form of Community Service Advertisements.
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creator: I Gede Juniartha Pratama Wiguna
creator: Desak Putu Yogi Antari Tirta Yasa
creator: Ni Kadek Dwiyani
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-08-27
publication date: 2025-08-27
starting page: 79
ending page: 89

PENERAPAN KONSEP PARALLEL DALAM STRUKTUR 3 BABAK PADA PENULISAN SKRIP FILM FIKSI DRAMA FANTASI “LOKA GAMA”
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description: This script raises the theme of family love, telling the story of a daughter's struggle who crosses a parallel world to save her father from chronic heart disease. The parallel world is depicted through the Tri Loka teachings in Hinduism which consist of Bhur Loka, Bwah Loka, and Swah Loka. The creative process begins with exploring ideas, selecting themes, and developing a storyline that is aligned with a three-act structure. In writing, the author pays attention to narrative elements such as characterization, dialogue, and the use of traditional lontar media as symbolic and aesthetic elements. The film is designed with a strong narrative style to create an emotional and culturally relevant story.
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creator: Kadek Denika Indra Prayudi
creator: Ida Bagus Hari Kayana Putra
creator: Gede Basuyoga Prabhawita
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-08-27
publication date: 2025-08-27
starting page: 73
ending page: 78

PENERAPAN TEKNIK KAMERA HANDHELD UNTUK MENINGKATKAN UNSUR DRAMATIK DALAM FILM PENDEK UNPAID SOULS
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description: Unpaid Souls is a thriller short film that emphasizes a dramatic and suspenseful atmosphere. The story follows a group of gamblers struggling to survive in a game of death. The shooting not only focuses on angles and lighting, but also uses handheld techniques to give the impression of flexibility and free movement following the storyline. This technique creates an intimate and emotional atmosphere, making the audience feel the moment more deeply. This study aims to explore the effectiveness of using handheld in building emotional atmosphere and character connection with the audience. The results show that handheld emphasizes emotional instability and strengthens the audience's immersion, especially in conflict scenes or emotional moments.
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creator: Komang Purna Diputra
creator: I Nyoman Payuyasa
creator: Putu Raditya Pandet
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-08-27
publication date: 2025-08-27
starting page: 63
ending page: 72

PENCIPTAAN IKLAN LAYANAN MASYARAKAT DENGAN TEMA PENGELOLAAN SAMPAH RUMAH TANGGA
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description: The more developed human civilization, the more human population in it. It turns out that the impact of the large human population also produces a lot of waste, the waste is produced from human activities, ranging from domestic waste, commercial waste, to agricultural waste. However, the waste produced by humans is not handled properly, so that it has an impact on the surrounding environment. Such as pollution of coastal beaches, pollution of lakes to the accumulation of waste in landfills. One solution is to handle the large amount of waste with Waste Management, the waste management that must be done is household waste management. This is because the waste that pollutes the environment comes from sources, the sources here mostly come from household waste. Around 44.13%. So in this journal the author presents how the process of creating the work of Household Waste Management Community Advertisements, which is taken from in-depth research that occurs in society.
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creator: I Wayan Pradnya Sukartika
creator: Desak Putu Yogi Antari Tirta Yasa
creator: I Nyoman Payuyasa
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-08-27
publication date: 2025-08-27
starting page: 55
ending page: 62

PENERAPAN GAYA PENYUTRADARAAN HITCHCOCKIAN DALAM FILM PENDEK THRILLER UNPAID SOULS
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description: With digital money, e-wallets, and online platforms, gambling has become increasingly accessible to teenagers, leading to conflicts like fights, theft, and even murder, often driven by debt and verbal abuse. Film, as a visual narrative medium, effectively highlights these issues. The author presents a thriller short film about a gambler facing significant loss, directed in Hitchcock’s suspenseful style, known for its psychological depth and innovative cinematography. This film critiques the negative impacts of gambling by combining narrative, symbolism, and visuals to deliver a socially relevant message, emphasizing the dangers of gambling and its profound consequences.
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creator: Komang Purna Diputra
creator: I Nyoman Payuyasa
creator: Putu Raditya Pandet
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-08-27
publication date: 2025-08-27
starting page: 42
ending page: 54

PENCIPTAAN IKLAN LAYANAN MASYARAKAT DENGAN TEMA BIJAK BERMEDIA SOSIAL
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description: Public service advertisements are a form of commercial communication aimed at providing information or changing people's attitudes towards certain social issues. Public service advertisements have many relevant themes, one of which is being wise on social media. Social media is a digital platform that facilitates users to interact with each other without being limited by space and time. The use of social media provides positive impacts such as a place for creativity, a source of information and education, promotion and branding. Meanwhile, the negative impacts experienced include the spread of misinformation, cyberbullying, privacy and data security issues, psychological impacts. After understanding the background of the importance of wise use of social media in everyday life and the negative impacts it causes, several main questions emerge which are the focus of this research, namely: What is the concept of producing public service advertisements about Wisely Using Social Media and What is the production process for public service advertisements about Wisely? Social Media. To answer the questions that have been formulated, this research uses several methods, namely the creation method, the idea creation method and the production method. By applying this method, this research was successful in obtaining results which show that the concept and implementation of the production of public service advertisements "Social Media Wise" can educate the public to be more careful in using social media, including filtering information before following or sharing, respecting other people's privacy, and interact positively in the digital space. It is hoped that this advertisement will be able to encourage better behavioral changes, create a healthy social media environment in utilizing technology, support the development of an intelligent, critical and responsible society in this information era.
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creator: A.A Puspa Dewi Trisna Putri
creator: I Kadek Puriartha
creator: I Nyoman Payuyasa
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-08-27
publication date: 2025-08-27
starting page: 33
ending page: 41

DOKUMENTER EKSPOSITORI “RESONANCE OF CHANGE”
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description: The production of the short documentary film Resonance of Change was created to observe the process of social adaptation of individuals in facing new environments. This film explored the changes in individual attitudes before and after adapting to their new surroundings, highlighting how social and cultural factors influenced their attitudes and identities. The documentary aimed to provide an in-depth insight into the dynamics of adaptation, focusing on the social, cultural, and emotional aspects involved in the process. With an expository approach, the narrative was presented in an informative and objective manner through interviews and direct observations, encouraging the audience's understanding of social attitude changes as a form of adaptation in daily life. The creation of this work involved partners and institutions to ensure the project had lasting benefits. This documentary project was chosen because it presented the story and information in an engaging format—film. It was also selected after extensive research, which concluded that the topic being addressed was very important and should be shared with the public in an interesting way.
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creator: Putu Arya Dhamma Nanda
creator: Ni Kadek Dwiyani
creator: Putu Raditya Pandet
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-08-27
publication date: 2025-08-27
starting page: 22
ending page: 32

PRODUKSI IKLAN LAYANAN MASYARAKAT TEMAN BUS DENGAN GAYA CERITA SINEMATIK DI PT HAI BANANA PRODUCTION
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description: Traffic in Bali is increasing with the growth of private vehicles and tourists. The government presents Teman Bus Bali as a publik transportation solution based on the Buy the Service (BTS) program. This research aims to create a Publik Service Announcement (PSA) with a sinematik story style that is effective in attracting publik attention to use Teman Bus. The methods used include data collection, surveis, and observations to understand publik behavior towards publik transportation. The results of the report show that the sinematik story style successfully conveys messages through immersive visuals and narratives, increasing the appeal of Teman Bus as an alternative transportation. With creative visuals and a persuasive approach, this PSA is expected to reduce the use of private vehicles, overcome congestion, and support community mobility. This project is an important reference for the production of PSAs in the transportation sector to encourage changes in publik behavior towards the use of publik transportation.
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creator: Ni Kadek Ayu Widia Kristi
creator: I Kadek Puriartha
creator: Desak Putu Yogi Antari Tirta Yasa
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-08-27
publication date: 2025-08-27
starting page: 14
ending page: 21

PENCIPTAAN FILM DOKUMENTER “KEMBANG JENAR” DENGAN GAYA EKSPOSITORI
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description: ndependent Project Activities are part of the Merdeka Belajar Kampus Merdeka (MBKM) program, designed to provide students with opportunities to create innovative works either independently or in interdisciplinary groups. This program aims to complement the formal curriculum with topics not covered in regular courses. Independent Projects facilitate collaboration between students and external partners to produce creative works with a wide-reaching impact. As part of this program, the author will produce a documentary film titled Kembang Jenar, which highlights the traditional Baris Kembar dance. The documentary, created in an expository style, focuses on presenting facts, events, people, and places associated with Baris Kembar dance. The film narrates the story of the pengadeg sesuunan Baris Kembar, individuals chosen from childhood to shoulder the responsibility of preserving this tradition.
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creator: I Kadek Wira Widnyana
creator: I Kadek Puriartha
creator: Desak Putu Yogi Antari Tirta Yasa
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-08-27
publication date: 2025-08-27
starting page: 1
ending page: 13

PRODUKSI FILM DOKUMENTER PENDEK AUTHENTIC MEMORIES DENGAN GAYA EKSPOSITORI
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description: Film dokumenter Authentic Memories mengangkat kisah tentang seni lukis pada acara pernikahan melalui perjalanan kreatif Amadea, seorang seniman yang memilih karier sebagai live wedding painter. Penelitian ini bertujuan untuk menganalisis bagaimana seni live wedding painting memengaruhi pengalaman pernikahan, baik dari sisi pengantin maupun seniman. Dengan pendekatan gaya ekspositori, film ini menyajikan narasi visual yang mendalam, didukung oleh wawancara langsung dengan Amadea, serta dokumentasi proses kreatif yang autentik. Berdasarkan hasil penelitian menunjukkan bahwa live wedding painting tidak hanya memperkaya pengalaman emosional dalam pernikahan, tetapi juga menciptakan peluang dalam industri seni di Bali. Melalui kajian ini, diharapkan dapat memberikan perspektif baru mengenai perkembangan industri seni kontemporer di Indonesia, serta menginspirasi generasi muda untuk menggabungkan seni dengan pengalaman pribadi yang bermakna.
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creator: Anggara Kusuma Wardana
creator: Gede Basuyoga Prabhawita
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-01-08
publication date: 2025-01-08
starting page: 78
ending page: 85

KOMPOSISI GAMBAR DALAM PENCIPTAAN IKLAN LAYANAN MASYARAKAT LINGKUNGAN HIDUP
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description: Pembuatan Iklan Layanan Masyarakat lingkungan hidup bertujuan untuk menghasilkan sebuah karya visual yang menarik dan dapat memberikan informasi bagi masyarakat luas. Iklan layanan masyarakat bertujuan untuk mengevaluasi stigma masyarakat dalam meningkatkan kesadaran dan mengubah perilaku masyarakat terhadap isu-isu lingkungan hidup. Iklan layanan masyarakat merupakan salah satu alat komunikasi yang digunakan untuk menyampaikan pesan-pesan penting mengenai pelestarian lingkungan kepada khalayak luas. Karya ini didasari oleh riset dan observasi pada keadaan lingkungan sekitar yang terkadang perlu diperhatikan dan dijaga kelestariannya. Dengan penerapan teknik cinematography pada iklan layanan masyarakat dapat membantu penulis dalam membangun cerita dan menciptakan visual yang menarik dan informatif sehingga tercipta karya yang tak hanya memiliki visual yang apik, tetapi juga memiliki makna didalamnya. Karya ini akan menjadi sangat berdampak secara luas bagi lapisan masyarakat yang bermacam-macam dalam menikmati dan menilai hasil karya yang diciptakan dengan harapan pesan alam dalam iklan layanan masyarakat memiliki karakter yang kuat sehingga tercapai sebuah makna yang ingin disampaikan.
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creator: Kevin Two Yonci
creator: I Nyoman Payuyasa
creator: Gangga Lawranta
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-01-08
publication date: 2025-01-08
starting page: 70
ending page: 77

ANALISIS TEKNIK PENGAMBILAN GAMBAR DALAM FILM THE NEIGHBORS’ WINDOW: MENGGALI EMOSI MELALUI SINEMATOGRAFI
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description: Penelitian ini menganalisis teknik pengambilan gambar dalam film The Neighbors' Window menggunakan metode penelitian kualitatif. Tujuan dari penelitian ini adalah untuk memahami bagaimana elemen visual digunakan untuk menyampaikan pesan dan emosi dalam narasi film. Dengan fokus pada komposisi gambar, sudut pandang, dan penggunaan kamera, penelitian ini mengkaji bagaimana teknik-teknik ini membantu menciptakan kedalaman emosional dan keterlibatan penonton. Data dikumpulkan melalui observasi mendalam terhadap film, yang kemudian dianalisis secara deskriptif untuk mengidentifikasi pola dan teknik visual. Hasil penelitian menunjukkan bahwa penggunaan sudut pandang subjektif dan close up berperan penting dalam menekankan emosi karakter dan membangun empati penonton. Kesimpulannya, teknik pengambilan gambar dalam The Neighbors' Window tidak hanya berfungsi sebagai alat penceritaan visual, tetapi juga sebagai medium untuk mengeksplorasi dinamika emosi dan perspektif karakter. Artikel ini menegaskan pentingnya pemahaman yang mendalam tentang sinematografi dalam analisis film.
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creator: Safier Mujahid
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-01-08
publication date: 2025-01-08
starting page: 66
ending page: 69

ANALISIS UNSUR ARTISTIK SEBAGAI PENDUKUNG DRAMATISASI DALAM FILM PENGABDI SETAN 2
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description: Penelitian ini membahas dua teori yang digunakan dalam film Pengabdi Setan 2, yaitu unsur artistik dan teori dramatisasi ketegangan. Tujuan dari penelitian ini adalah untuk menemukan jawaban dalam dramatisasi ketegangan yang didukung oleh ketiga variabel, yaitu lingkungan, fitur, dan warna. Penelitian ini menggunakan metode penelitian deskriptif kualitatif, dimana seluruh film dianalisis dan dicari ketegangan yang diciptakan oleh unsur-unsur artistiknya. Warna-warna tetap yang sering muncul dalam film ini adalah warna-warna hangat dan putih, yaitu warna-warna yang memberikan kesan tegang dalam film ini. Menurut gaya interior yang digunakan, yaitu indies dipadukan dengan gaya vintage, banyak corak pastel yang digunakan warna film Pengabdi Setan 2 yang terkesan pudar, dan warna tersebut menambah kesan kuno di sekeliling film Pengabdi Setan 2. Kesimpulan dari penelitian ini adalah unsur artistik menjadi unsur yang mendukung ketegangan cerita film ini. Adegan film Pengabdi Setan 2 tidak hanya dapat menciptakan suasana tahun 1980-an, tetapi juga mengandung makna budaya dan suasana zaman dahulu yang dapat dikaitkan dengan ketegangan. Hasil dari penelitian ini menunjukkan bahwa unsur artistik dari film Pengabdi Setan 2 mendukung dramatisasi tersebut. Fakta objektif ditemukan dalam adegan yang berbeda dari setiap adegan menggunakan pengaturan yang dipadukan dengan warna dominan, vintage dan pastel yang dapat memberikan efek dramatis kepada penonton.
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creator: Nazula Alliyya Safitri
rights: Hak Cipta (c) 2025 https://creativecommons.org/licenses/by-nc-sa/4.0
date: 2025-01-08
publication date: 2025-01-08
starting page: 61
ending page: 65