GHURNITA: Jurnal Seni Karawitan 2022-05-23T08:03:33+00:00 Pande Gede Widya Supriyadnyana, S.Sn., M.Sn Open Journal Systems <p><span lang="EN-ID"><strong>Ghurnita</strong> is a journal that is used as a means of scientific communication of Karawitan Arts, especially karawitan. The Ghurnita Journal also aims to accommodate articles by students' Final Projects within the scope of the musical arts study program. <span class="VIiyi" lang="en"><span class="JLqJ4b ChMk0b" data-language-for-alternatives="en" data-language-to-translate-into="id" data-phrase-index="2">The scope of the journal Ghurnita is the study and creation of musical art.</span></span> Published four times a year (March, June, September and December). First published in March 2021.<br /></span></p> <p><span lang="EN-ID">E-ISSN: <a href="" target="_blank" rel="noopener">SK E-ISSN</a> <a href="" target="_blank" rel="noopener">2798-6128 </a></span></p> <p><span lang="EN-ID">Indexing; <a href="" target="_blank" rel="noopener">Garuda</a>, <a href=";user=d_8DmtMAAAAJ&amp;view_op=list_works&amp;gmla=AJsN-F7pVYFUmeMizfTxAMVhagfI5r8pPGDF-pQR9yxxzSOviIdG0slgSnfHC-FpCT5yRRno7AHDd8MHDOkqCftwQKWsagdotBkMOALsXNp0Yhn69JmNUqA" target="_blank" rel="noopener">Google Scholar</a>, </span></p> Introduction to the Musical Composition “Telung Benang” | Pengantar Komposisi Karawitan “Telung Benang” 2021-08-16T02:03:38+00:00 I Wayan Agus Andika I Komang Sudirga I Wayan Sudirana <p><em>Telung Benang's musical artwork is inspired by the concept of rwa bhineda. Rwa bhineda is the balance of human life in a dualistic dimension, namely believing in the existence of two very powerful forces. This duality dimension concerns the difference between high-low, black-and-white, narrow-broad, and so on. The purpose of the creation of Telung Benang's artwork is to highlight two contradictory but interrelated characters (duality) into the musical language with the title of Telung Benang's work. Telung Benang is a term for numbers in Balinese which means seventy-five (75). Telung Benang is used as a title that will be realized with the concept that has been made, namely the pelog tone (7) and the slendro tone (5) combined to produce different colors and sound harmonies. The method of creating Telung Benang's works is arranged through three stages of creation, namely exploration, improvisation, and formation. Structurally, Telung Benang's work is divided into two parts. The division is done because it is based on the concept of duality which aims to highlight two parts that have different characteristics or colors (contrast) in one piece of music. This is what is meant as a typical reflection of the concept of dualism. </em></p> <p><em> </em></p> 2022-05-23T00:00:00+00:00 Copyright (c) 2022 GHURNITA: Jurnal Seni Karawitan Music Composition Makules | Komposisi Musik Makules 2021-08-20T05:09:59+00:00 Kadek Agus Pusaka Adiputra Tri Haryanto <p><em>Makules' musical works are based on a phenomenon where composers in Bali, especially those in the setting environment, in the Tabanan area, in creating new musical compositions are more dominant in processing musical elements such as rhythm, melody, dynamics, and harmony. Few composers work on timbre or timbre. From this phenomenon, the stylist gets inspiration to do something different. Obsession leads to abstraction of thought with an interest in processing sound color, creating a new impression by modifying timbre or sound color as the direction of creation. Therefore, a musical work in the form of experimental music was made with the title Makules. The meaning of the title Makules is seen from the word Makules which means changing skin, where the stylist uses the title according to its meaning which means changing skin. </em></p> 2022-05-23T00:00:00+00:00 Copyright (c) 2022 GHURNITA: Jurnal Seni Karawitan New Technique of Playing Reong into Musical Composition “Sekunder” | Teknik Baru Memainkan Reong Dalam Komposisi Karawitan “Sekunder” 2021-09-01T10:39:25+00:00 Gede Prabudinatha Gautama Ni Wayan Masyuni Sujayanthi <p><em>Sekunder is a musical composition inspired by the process of cleaning gamelan. The process of cleaning gamelan is not the main activity but an additional activity in gamelan maintenance. Departing from this, the stylist sees a new perspective in composing Karawitan. The use of sandpaper as a means of exploring the sound of the gamelan reong instrument and the role outside of the musician, the soundman, is the object of the creation of the Sekunder composition. The purpose of creating this composition is a new way of playing reong so that later it can become a new technique for playing the reong instrument in the future. The Sekunder work creation method is structured through three stages of creation, namely the assessment, trial, and formation stages. From these three stages, Sekunder is formed into 3 parts where each part describes each of the stages of creation and also the implementation of the process of cleaning the gamelan into a new technique where how to play the reong instrument using sandpaper. The conclusion of this composition is that this composition uses a new technique in playing it, namely using sandpaper where this technique is inspired by the process of cleaning gamelan. In addition, the role of the soundman is very important here as a dynamic regulator. It is hoped that this composition will become the basis for future works and also that new ways of playing reong in this composition can be used continuously.</em></p> 2022-05-23T00:00:00+00:00 Copyright (c) 2022 GHURNITA: Jurnal Seni Karawitan Aswamedha: A Legitimation of Leadership Based on The Kitab of Aswamedha Parwa | Aswamedha: Sebuah Legitimasi Kepemimpinan Berbasis Kitab Aswamedha Parwa 2022-03-05T08:52:38+00:00 Bagas Sukma Priyambodo I Ketut Ardana Sutrisni - <p>The legitimacy model with ceremonial means is rarely done nowadays, therefore it is necessary to re-narrate the legitimacy model with ceremonial means. The purpose of this creation research is to reveal the content and interpret the leadership legitimacy model in the Aswamedha Parwa book through musical compositions. This creation research uses Art Transformation Theory, which is to transform original works (literature) into new works (karawitan composition). The research method used is Practice as Research through Performance. This practice is analogous to a representation of the musical context, namely the analogy of leadership using the pathetan form, the analogy of sadness using the sendhon, the analogy of legitimate leadership using the ada-ada form. The stages that must be passed are, Pre-Working, Working on, Post-Working. The results of the analysis related to the content of the composition are the values that a leader must have so that his leadership becomes legitimate. These values have implications for an interpretation of a compositional model that prioritizes beauty as a means of representation of the musical context.</p> 2022-05-23T00:00:00+00:00 Copyright (c) 2022 GHURNITA: Jurnal Seni Karawitan Introduction to Creation Music Kumat | Pengantar Musik Kreasi Kumat 2021-09-02T10:06:27+00:00 I Putu Suardana <p><em>Kumat's work is a composition of new creations that is packaged with a traditional nuance. This work is an interpretation of the mechanism of bipolar mental disorder compiled through a musical formulation that corresponds to the mechanism of bipolar. This work focuses on two building elements, namely musical formulations and musical nuances, musical formulations are concrete and musical nuances are variable according to the listener's musical experience. Kumat's work uses a modified Jegog gamelan as a medium of expression. The location of the modifications is on the barangan instrumen, kantil, suwir which are made into one stump, with the addition of two other instrumens as melody modifiers, namely kuntung and undir. The process of creating this work is carried out in four stages, namely initial stimulation combined with the concept of Alma M. Hawkins in the book Creating Trough Dance which consists of exploration, improvisation, formation. This work is manifested in the form of creative percussion which is still based on the realm of tradition, the renewal contained in this work lies in the musical formulation that adopts the mathematical science of the magic square as the basis for the formation of the work.</em></p> 2022-05-23T00:00:00+00:00 Copyright (c) 2022 GHURNITA: Jurnal Seni Karawitan Karawitan Composition Benang Raja | Komposisi Karawitan Benang Raja 2022-03-25T06:06:18+00:00 I Putu Yudik Setyawan I Ketut Sudhana I Nyoman Mariyana <p><em>Natural phenomena are unsystematic events in the physical view, and then created by humans. Natural phenomena can occur anywhere and anytime, sometimes even without being predicted in advance. Every phenomenon that exists can be beautiful, but it can also be dangerous, known as natural disasters. In Indonesia, there are several natural phenomena that have a negative impact on humans such as: volcanic eruptions, tsunamis, flash floods, tornadoes and so on. This phenomenon is very bad and detrimental to humans both in terms of health and not spared from an economic point of view. However, in contrast to natural phenomena that are beautiful or harmless. Natural phenomena that are not dangerous show more beauty, majesty, and make everyone stunned to see the phenomenon. These kinds of phenomena are aurora, solar eclipse, lunar eclipse, shooting star and one of them is rainbow. A rainbow is an optical phenomenon that occurs when sunlight and rain react in a certain way. This is caused by refraction of sunlight. This ray changes direction from traveling one medium to another by water droplets in the atmosphere. </em><em>Rainbows can be full circles, but observers usually only see an arc formed by light droplets on the ground and centered on the line from the sun to the observer's eye. Then the colors that appear in the rainbow are beautiful colors known as mejikuhibiniu (Red, Orange, Yellow, Green, Blue, Indigo and Purple)</em><em>.</em></p> 2022-05-23T00:00:00+00:00 Copyright (c) 2022 GHURNITA: Jurnal Seni Karawitan The New Music Creation Jaladi Merta Ayu | Tabuh Kreasi Baru Jaladi Merta Ayu 2021-08-24T06:08:35+00:00 Agus Ari Pratama Yoga <p><em>This creative percussion musical composition entitled "Jaladi Merta Ayu" is a new composition work or a creative percussion musical composition that offers or highlights new ideas, is contemporary, and enhances originality. The creator imagines by systematically raising a Balinese musical composition whose source of inspiration comes from the beautiful phenomena and daily life of the Sanur beach from the morning before sunrise until the evening is crowded with tourists who visit both local residents and foreign nationals, thus triggering the creator to make it a work of art. new creative percussion art. The creator wants this creative percussion work to provide a new atmosphere and impressions, to realize this creative percussion work the creator processes various existing game patterns into new game patterns that have been designed in such a way so as not to lose control from the points contained previously. </em><em>This percussion artwork created by "Jaladi Merta Ayu" uses the structure of kawitan, crew, compassion, and pusher. Selection of a set of gamelan, namely barungan gamelan gong kebyar, each part of this work by processing new playing patterns with a contemporary smell, melodic flute playing patterns according to what the creator has designed based on the concepts used and can process musical elements such as dynamics (aes). -uncab) and the tempo. This creative percussion in every part has endings that occur during the daily life of the Sanur beach, namely in part one in the morning, part two in the afternoon, part three in the afternoon, part four at night with the most awaited ending, namely the beauty of the full moon shining Sanur beach night. With this, the creator hopes that this creative percussion can be an example that is worthy of being enjoyed and practiced.</em></p> 2022-05-23T00:00:00+00:00 Copyright (c) 2022 GHURNITA: Jurnal Seni Karawitan Karawitan Composition Ngebur | Komposisi Karawitan Ngebur 2021-08-17T07:28:32+00:00 I Putu Hadi Mulyawan <p><em>Ngebur is an acronym for the syllables nges, bungah, and rame. The three words are an elaboration that occurs in a kotekan. The media reveals that this work uses the gamelan Gong Kebyar, which focuses on cultivating the ugal, </em><em>pemade</em><em>, and kantilan instruments. This work is inspired by a kotekan that exists in Balinese gamelan and adopts several kotekan which were later developed without losing the characteristics of the kotekan that the stylist adopted. The stages of the creative process in this work use the method of Mr. I Wayan Beratha. The stages of this method are divided into three stages, which consist of (1) </em><em>nguping,</em><em> (2) </em><em>menahin,</em><em> and (3) ngelesin. This Ngebur musical composition was worked on and realized in the form of innovative musical music that lasted 12 minutes supported by 17 players including the stylist. The purpose of creating this work is to find out about the structure, techniques, and patterns found in kotekan in Balinese music. The benefits of the creation of this work are the realization of a subjective ability of the stylist to be creative in the field of working on new, innovative music so that it can encourage artists to be more receptive to new works that work does not have to stick to tradition alone, as in this work with processing and development kotekan as the basis for its cultivation.</em></p> 2022-05-23T00:00:00+00:00 Copyright (c) 2022 GHURNITA: Jurnal Seni Karawitan Music Composition Tresna Yana | Komposisi Tabuh Kreasi Tresna Yana 2021-08-13T09:46:54+00:00 I Made Satria Prawira <p><em>Tresna Yana is a creative musical work inspired by the stylist's personal experience in a love story. The title Tresna Yana was chosen because Tresna Yana means a journey of love. Everyone has a different love story, and a different love dynamic. Likewise with stylists who experience various feelings and emotions in the love story experienced from the beginning of knowing love until now. The purpose of creating Tresna Yana's work is to express what the stylist feels and the dynamics of love experienced. This work uses the medium of expressing gamelan samapada which has seven notes with the aim of building the desired atmosphere and using vocals to clarify the atmosphere experienced. The creation of this work went through three stages, namely exploration (exploration), experiment (improvisation), and formation (forming). Structurally, this work is divided into four parts where each part has an interrelated relationship. This work is expected to send a moral message about how important the power of holy love is in life.</em></p> 2022-05-23T00:00:00+00:00 Copyright (c) 2022 GHURNITA: Jurnal Seni Karawitan Music Composition “Ngulat-Gedig” | Komposisi Karawitan “Ngulet-Gedig” 2022-04-29T03:03:17+00:00 I Made Budiartana <p><em>Ngulat-Gedig is a new musical composition, which means interwoven tones that cross and complement each other to create a strong and beautiful design. This new karawitan composition was created based on the inspiration of the process of weaving bamboo handicrafts, where to get a strong, intact, and beautiful design on each piece of bamboo, it is woven across each other and complements each other, sometimes in harmony, sometimes in contrast, to get a beautiful and strong design. This phenomenon of the bamboo weaving process is transformed into a tangle of beautiful tones into a new, beautiful, strong musical composition with a distinctive identity. The main idea of this work is expresed in an innovative musical using the Gamelan Semarandana. </em><em>The composition of the Karawitan "Ngulat-Gedig" is realized through a qualitative method through the process of observation, interviews, and literature studies, then the ideas are poured through the stages of exploration, improvisation, and formation.</em></p> 2022-05-23T00:00:00+00:00 Copyright (c) 2022 GHURNITA: Jurnal Seni Karawitan