Tari Kreasi Penyandar, Transformasi Tahapan Yang Dilalui Penari Sandar di Pura Dalem Padonan Desa Pererenan

Authors

  • I Putu Ananta Wira Adhyatma Institut Seni Indonesia Bali
  • Sulistyani Institut Seni Indonesia Bali
  • Ni Wayan Suartini Institut Seni Indonesia Bali

DOI:

https://doi.org/10.59997/jijod.v5i1.5653

Abstract

Abstract
The dance piece titled Penyandar is a new creative work. This dance piece draws inspiration from the personal
experiences of the choreographer during her time as a Pregina Telek/Sandar at Pura Dalem Padonan in the village of
Pererenan. This work transforms the stages undergone by the Pregina Telek/Sandar. Penyandar comes from the word
Sandar, which is another term for Tari Telek, which then received the prefix “Pe-” referring to the performer of the
Telek/Sandar dance itself. This dance has a religious theme and is performed in groups using seven male dancers. The
method used is the Angripta Sesolahan creation method (creating dances), which involves planning, conceptualizing,
designing, refining, and finalizing. The accompanying music for the Sandar dance uses the Musical Instrument Digital
Interface (MIDI) application as its medium, utilizing samples from the Semara Pegulingan Saih Pitu gamelan ensemble,
which lasts 11 minutes.
Keywords: Penyandar, religion, New creation.

Additional Files

Published

2025-07-09