Tari Kreasi Ngelinyar

Authors

  • Ni Luh Putu Eka Wahyuningsih
  • Ni Made Arshiniwati
  • A.A.Ayu Mayun Artati

DOI:

https://doi.org/10.59997/journalofdance.v1i1.817

Abstract

The creative source of this dance work comes from the creator's personal experience by seeing firsthand how the
character Liku dances on stage in such a unique and eccentric style and has had several opportunities to support the
dance test at ISI Denpasar. The experience gave the creator an idea to create a dance work that shows how bright female
characters is klinyar. The word klinyar has meanings, namely nglinyar which means lively and maklinyaran which
means flirty, with a special view of girls. The process of realizing it into a dance work using the method of creation by
applying the principles of angripta-sesolahan, among others: ngarencana (exploration), nuasen (ceremony before the
improvisation process), makalin (improvisation), nelesin (forming), and ngebah (first performance). This dance work is
packaged in the form of creative dance, with the theme of social life, which is danced by six female dancers. The
selection of dancers is adjusted to the creator's body posture. The accompaniment music uses the Semara Pagulingan
barungan combined with the strains of the gerong sound to make the musical atmosphere more memorable. The
realization of this dance work is expected to provide awareness on how to judge someone not only from the outside, but
it is better if we also know how the character is inside.
Keyword : character, Liku, klinyar, creation.

Additional Files

Published

2021-10-16

How to Cite

Eka Wahyuningsih, Ni Luh Putu, Ni Made Arshiniwati, and A.A.Ayu Mayun Artati. “Tari Kreasi Ngelinyar”. Jurnal Igel : Journal Of Dance 1, no. 1 (October 16, 2021): 55–61. Accessed April 24, 2024. https://jurnal2.isi-dps.ac.id/index.php/igel/article/view/817.

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