DOI: https://doi.org/10.59997/citakara.v2i2

Published: 2022-10-24

Articles

Leaves Embossed in the Expression of Artwork

I Made Adi Sumarjaya Putra, I Wayan Sujana, Sri Supriyatini

1-8

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Upakara Aci Usaba Sumbu of Timbrah Village As Inspiration for the Creation of Paintings

I Putu Arya Silasana, I Wayan Gulendra, I Gede Yosef Tjokropramono

9-19

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Expression Of The Movement Of A Fish Made With Plastic Waste In The Creation Of A Statue

I Made Deny Arsana Putra, I Made Jodog, Ni Made Rinu

20-28

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Bali Ornament Motif As A Source Of Inspiration Kamasan Painting Art Creation

Made Hendra Adiguna, I Dewa Putu Gede Budiarta, A.A Gede Yugus

29-38

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Nusantara’s Ornaments as a Source of Inspiration for Creating Paintings on Silk Fabrics

M. Indra Bayu Utomo, I Wayan Setem, I Made Bendi Yudha

39-42

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Baris Cina Dance as a Reference for the Creation of Paintings

I Putu Divayana, A. A. Yugus, I Wayan Kondra

43-51

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Women's Body Movement As A Source Of Inspiration For The Creation Of Painting Art

Komang Guntur Jati Putra, I Wayan Karja, Ni Made Purnami Utami

52-58

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Pelinggih Merajan Alit Building As Inspiration For The Creation Of Painting

Haris Candra Neode, Luh Budiaprilliana, I Ketut Mustika

59-64

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Dead Animal Fethicistic Aesthetic Interpretation In Sculpture

Mochammad Iqbal, I Made Ruta, I Wayan Mudana

65-72

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Mom’s Milk As Inspiration In The Creation Of Sclupture

I Gede Deva Kresna Yoga, I Made Jodog, I Wayan Setem

73-78

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The Work Of I Ketut Budiana Become A Source Of Inspiration For Painting Art Works

I Wayan Ega Arsana, Sri Supriyatini, I Wayan Karja

79-86

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Sanghyang Dedari Dance as a Painting Creation Idea

I Komang Kariasa Putra, Tjokorda Udiana Nindhia Pemayun, Gede Yosef Tjokropramono

87-91

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Efforts to Use Canvas and Endek Remainder as Bags that Have Artistic Value

Diah Komalayakti, I Wayan Gunawan, I Made Jodog

92-98

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Endek Patchwork As Inspiration For Painting Pouch Collaboration With High Artistic Value

Sari Apriliani, I Wayan Gulendra, Luh Budiaprilliana

99-108

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The Meaning of Colors in Shio as Implications of Painting Objects

Joseph Raphael Tan, I Wayan Gulendra, Sri Supriyatini

109-124

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