Artikel Kilit Kalut: Teater Pakeliran sebagai Representasi Konflik Batin Tokoh Salya
Kilit Kalut: Teater Pakeliran sebagai Representasi Konflik Batin Tokoh Salya
DOI:
https://doi.org/10.59997/dmr.v6i1.6553Kata Kunci:
Teater Pakeliran Pedalangan Bali Konflik Batin Salya BaratayudhaAbstrak
The creation of the artistic work Kilit Kalut takes the form of a teater pakeliran that draws upon the story of the character Salya from the Kakawin Baratayudha through a reflective and contextual approach. This work aims to represent inner human conflict that emerges from the tension between social obligations, political loyalty, and the voice of conscience, expressed through the combined media of puppetry and theatre. Salya is positioned as a symbolic figure who embodies moral dilemmas that remain relevant to contemporary human experience, particularly in relation to responsibility, power, and personal integrity. The creative process employs Harymawan’s 4M method, which consists of imagining, writing, performing, and observing. The imagining stage focuses on exploring conceptual ideas and contemporary social phenomena that parallel Salya’s narrative in the epic. The writing stage is realized through the formulation of dramatic structure, character development, and the preparation of the performance script. The performing stage involves intensive rehearsal processes and cross-media exploration that integrate puppetry, actors, music, movement, and stage design. The observing stage functions as a reflective and evaluative space to assess the coherence between conceptual intentions and the final performance outcome. The results of this artistic creation demonstrate that the teater pakeliran formulation is capable of presenting classical narratives in a communicative and expressive manner while maintaining their relevance to modern life. This work affirms that puppetry art holds significant potential as a medium for social reflection and the articulation of inner human conflict. The implications of this creation are expected to contribute to the development of innovative forms in puppetry performance without detaching from its traditional foundations.
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Referensi
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Hak Cipta (c) 2026 I Komang Wahyu Widiyantara, I Made Sidia, I Kadek Widnyana, Hanolda Gema Akbar
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