GAYA DAN STRUKTUR DOKUMENTER DI BALIK LAYAR PRODUKSI FILM PENDEK CENING NEPUKIN I KAWA

Abstract

The documentary film Melihat Cening dan Kawa explores the
implementation of documentary styles and Dan Harmon’s Story Circle
structure to construct a compelling narrative. Unlike conventional
documentation videos that merely record events chronologically, this
documentary interprets and presents reality with emotional depth and
storytelling elements. By analyzing Bill Nichols’ six documentary modes
and their seven defining aspects, the film balances observational and
participatory approaches. The creation process, divided into three
stages—pre-production, production, and post-production—aligns with
the production of the main film, Cening Nepukin I Kawa, ensuring a
coherent structure and thematic relevance. The findings indicate that the
documentary is including some of the documentray styles and structured.
The use of Story Circle enhances the narrative arc, providing a clear and
engaging progression. Each production phase contributes to a
well-rounded story, capturing significant moments that deepen the
audience’s understanding of the filmmaking journey.