Strategy for Depicting the Character of Water in “Tabuh Kreasi Tirta Pemutih”
DOI:
https://doi.org/10.59997/jacam.v4i1.5411Keywords:
Balinese gamelan, ornamentation, strategy, waterAbstract
This study aims to provide a reference regarding the methods or techniques used by a Balinese Gamelan music composer in depicting a water character. Qualitative research is used because it is an appropriate type of research where the data obtained is a description of the condition of an object being studied. The data collection techniques used in this research are literature study, observation, interviews and documentation. There are several strategies that can be used to depict the character of water, which the composer previously used in the work “Tabuh Kreasi Tirta Pemutih”, such as processing the battens found in Balinese Gamelan as a medium for speaking, ornamenting the playing patterns of the instruments, and utilizing various song genres that can be played by Gamelan Semarandana. This study contributes to providing thoughts or points of view regarding strategies or techniques that can be used in depicting the character of water in a Balinese karawitan musical composition using gamelan as a medium for expression.
References
Ardana, I. K. (2013). Pengaruh Gamelan terhadap Baleganjur Semaradana. Resital, 14(2) : 141-152.
Artha, I. G. A. I. B., & Nuriarta, I. W. (2019). Bentuk, Fungsi dan Makna Ornamen pada Gamelan Semar Pegulingan Saih Pitu di Pusat Dokumentasi Seni Institut Seni Indonesia Denpasar. Segara Widya: Jurnal Penelitian Seni, 7(2), 93-103. https://doi.org/10.31091/sw.v7i2.819.
Bandem, I M. (2013). Gamelan Bali di Atas Panggung Sejarah. Badan Penerbit STIKOM Bali.
Desiari, M. A., & Suratni, N. W. (2022). Karakter Mantri Manis dalam Pertunjukan Dramatari Arja. Segara Widya: Jurnal Penelitian Seni, 10(1) : 65-76.
Eskak, E. (2013). Metode Pembangkitan Ide Kreatif dalam Penciptaan Seni. Corak: Jurnal Seni Kriya, 2(2). http://dx.doi.org/10.24821/corak.v2i2.2338.
Hasriadi, H. (2022). Strategi Pembelajaran. Mata Kata Inspirasi.
Moleong, L. J. (2007). Metodologi Penelitian Kualitatif. Remaja Rosdakarya.
Pramudya, N. A. (2019). Penciptaan Karya Komposisi Musik sebagai Sebuah Penyampaian Makna Pengalaman Empiris Menjadi sebuah Mahakarya. Gelar: Jurnal Seni Budaya, 17(1) : 14-23. http://dx.doi.org/10.33153/glr.v17i1.2597.
Putra, I. M. D. A. (2021). Eksplorasi Gamelan Angklung dan Selonding sebagai Media Ungkap dalam Penciptaan Karya Musik "Kapetengan". Segara Widya: Jurnal Penelitian Seni, 9(1), 1-7. http://dx.doi.org/10.31091/sw.v9i1.1425.
Rismandika, K. (2018). Popularitas Gamelan Gong Kebyar dalam Arena Pertarungan Kekuasaan Gamelan Bali. Selonding, 13(13). http://dx.doi.org/10.24821/selonding.v13i13.2914.
Rusdi, R. (2017). Implementasi Teori Kreativitas Graham Wallas dalam Sekolah Kepenulisan di Pesantren Mahasiswa Hasyim Asy’ari Cabeyan Yogyakarta. Muslim Heritage, 2(2) : 259-274. http://dx.doi.org/10.21154/muslimheritage.v2i2.1111.
Saleh, A. A. (2018). Pengantar Psikologi. Penerbit Aksara Timur.
Subadi, T. (2006). Metode Penelitian Kualitatif. Muhammadiyah University Press.
Sudiatmika, M. (2011). Peranan Sruti dalam Patutan Gambelan Semar Pagulingan Saih Pitu. Artikel Bulan Juli (2011), 2(7), 1. http://repo.isi-dps.ac.id/996/.
Sugiartha, I. G. A. (2015). Bentuk dan Konsep Estetik Musik Tradisional Bali. Panggung, 25(1). http://dx.doi.org/10.26742/panggung.v25i1.14.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2025 I Putu Nanda Yoga Mayura, Ni Wayan Ardini, I Gede Yudarta

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.