KONSTRUKSI IDENTITAS KARAKTER LANSIA DALAM PENYUTRADARAAN FILM PENDEK “SEPI DI UJUNG HARI”

Abstract

This research explores the construction of elderly character identities in
the short film "Sepi di Ujung Hari." Using Carl Plantinga’s theory, the
study examines how cinematographic techniques, storytelling, and
direction shape audience perception. Through script analysis,
cinematography review, and directorial study, findings reveal that
close-up shots, lighting contrast, and framing effectively convey emotions
and psychological depth. The narrative structure further strengthens
audience empathy by depicting the internal struggles of elderly
individuals. Additionally, directorial choices, such as actor direction and
blocking, significantly enhance authenticity. This study provides valuable
insights for filmmakers in constructing engaging elderly characters and
contributes to broader discussions on elderly representation in cinema.