VISUAL SYSTEM OF WAYANG KAMASAN PAINTING ART

Penulis

  • Made Chandra Putra Adnya Institut Seni Indonesia Bali
  • Luh Budiaprilliana Institut Seni Indonesia Bali
  • Anak Agung Gde Trisna Suryadinata T.Y. Institut Seni Indonesia Bali

DOI:

https://doi.org/10.59997/ctkr.v6i1.5994

Kata Kunci:

Kamasan Painting, Art archiving

Abstrak

Iconography plays a crucial role in the visual interpretation of Wayang Kamasan, wherein various symbols and icons are embedded within a complex system that warrants in-depth analysis. This study, therefore, centers on the archiving and examination of iconography within the Wayang Kamasan painting tradition. The author conducts a stylistic documentation of several painters who are heirs to this tradition

Referensi

Campbell, 2011 "Global Kamasan," Journal of Bali Studies, pp. 1.

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I. W. Seriyoga Parta, dkk, 2023 "Warna Bali, Mastery of Balinese Colours," Denpasar : Komunitas Budaya Gurat Indonesia.

I. M. Kanta, 1978 "Proses Melukis Tradisionil Wayang Kamasan," Denpasar: Proyek Sasana Budaya Bali.

E. Panofsky, 1939 "Studies in Iconology: Humanistic Themes in the Art of the Renaissance," New York: Oxford University Press.

Y. Riyanto, 2010 "Metodologi Penelitian Pendidikan," Surabaya, Indonesia : Penerbit. SIC,.

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Tabrani, P. 2018. Prinsip-Prinsip Bahasa Rupa. Jurnal Budaya Nusantara, 1(2), pp.173-195.

Cika, I. W dkk., 2012, Lukisan Bhima Swarga pada Bale Kertha Gosa. Klungkung Bali, Pusat Kajian Bali dan Universitas Udayana. Denpasar, Denpasar.

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File Tambahan

Diterbitkan

2026-04-29

Cara Mengutip

VISUAL SYSTEM OF WAYANG KAMASAN PAINTING ART. (2026). CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI, 6(1), 69-82. https://doi.org/10.59997/ctkr.v6i1.5994

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