Interpretation of Aci Usaba Sumbu in Paintings

Authors

  • I Putu Arya Silasana Program Studi Seni Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar
  • Luh Budiaprilliana Program Studi Seni Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar
  • I Wayan Mudana Program Studi Seni Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar

DOI:

https://doi.org/10.59997/citakara.v3i1.2333

Keywords:

Aci Usaba Sumbu, Interpretation, Painting

Abstract

The creation of works in the Independent Study MBKM program in this paper takes ideas or ideas about the interpretation of Aci Usaba Sumbu in Pakraman Timbrah Village in works of painting. The phenomenon of a religious ritual in Timbrah Village called Aci Usaba Sumbu which has its own uniqueness from the ceremonial facilities used in these religious activities. Banten Sumbu, which resembles a towering tower and the banten be guling which is offered by local villagers, is unique from a visual standpoint. The objects at the ceremony have their own meaning, the creator interprets them into life and social values through works of painting. The process of creating this work adopts the theory and methods of Alma M Hawkins. The creation method goes through 3 (three) stages, namely, the exploration, improvisation, forming stages. In the embodiment of the work, the ideas obtained created 6 works entitled: : 1) “Pengendalian Diri” , 2)”Keharmonisan” , 3)”Penyatuan”, 4)”Tri Kaya Parisudha”, 5)”Pohon Sumbu” 6)”Naga Sumbu”. The works created are a form of interpretation of Aci Usaba Sumbu along with the objects contained in the ceremony. With the creation of these works, it is hoped that they will be able to convey a message about the turbulence of the creator's feelings that have been observed.

References

Ardika, I Wayan & I Made Suastika. (2019), Melestarikan Tradisi dan Mengungkap Makna Aci Usaba Sumbu Di Desa Pakraman Timbrah, Karangasem, Bali. Denpasar : Swasta Nulus

Arsana, Banu. (2013). SENI LUKIS REALIS 2. Kementerian Pendidikan Dan Kebudayaan Direktorat Pembinaan Sekolah Menengah Kejuruan

Hadi, Sumandiyo. (2003). Mencipta Lewat Tari Alma M. Hawkins. Yogyakarta : MANTHILI YOGYAKARTA

Santosa, I Made Ari, dkk. (2016). Pemanfaatan Teknologi Tepat Guna untuk Pengembangan Usaha Tumpeng Upacara di Gianyar. Prosiding Seminar Nasional, Inovasi IPTEKS Perguruan Tinggi untuk Meningkatkan Kesejahteraan Masyarakat. Universitas Mahasaraswati Denpasar, 29-30 Agutus 2016.

Studio Visual, Satria. (2017). Usaba Sumbu Part 1 dan 2 https://youtu.be/_aFr7zfH0qMdan https://youtu.be/LwQr1wF3SYI diakses pada tanggal 27 Maret 2022

Wahid, Masykur. (2015). Teori Interpretasi Paul Ricoeur. Yogyakarta : LKiS Yogyakarta

Yogagiri. (2013). Upakara dalam Upacara Hindu. Denpasar: https://blog.isi- dps.ac.id/yogagiri/2013/05 diakses pada tanggal 17 April 2022

Yudha, I Made Bendi & I Wayan Gulendra. (2021). DEKONSTRUKSI PERUBAHAN KARAKTER KEBENDAAN IMAJINASI KREATIF DALAM KARYA SENI LUKIS. Denpasar : Jurnal Cita Kara Fakultas Seni Rupa dan Desai

Wawancara/ Informan

I Nengah Sukada (60th.), wawancara tanggal 8 Mei 2022, Desa Pakraman Timbrah, Karangasem, Bali

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Published

2023-05-08

How to Cite

I Putu Arya Silasana, Luh Budiaprilliana, & I Wayan Mudana. (2023). Interpretation of Aci Usaba Sumbu in Paintings. CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI, 3(1), 25–35. https://doi.org/10.59997/citakara.v3i1.2333

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