Figures of Classic Kamasan Painting as Inspiration for the Creation of Modern Painting

Authors

  • Haris Candra Neode Program Studi Seni Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar
  • I Gede Yosef Tjokropramono Program Studi Seni Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar
  • I Dewa Putu Gede Budiarta Program Studi Seni Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar

DOI:

https://doi.org/10.59997/ctkr.v3i2.2994

Keywords:

Wayang, Classical, Kamasan, Pakem, Tradition, Preservation, Development

Abstract

The classic painting of Wayang Kamasan began when the Modara puppet painting, made by I Gede Mersadi was favored by the king of Klungkung. Then he was given the nickname Modara according to the puppet figure he painted. By king Klungkung Modara was sent to work on many projects so that his puppet painting style spread and until now it is known as Classical Painting Wayang Kamasan. The characteristic of this painting can be seen from the coloring technique that uses the sigar warna and sigar mangsi techniques. (Ni Wayan Sri Wedari, 2022:9). Broadly speaking, the forms of wayang can be distinguished through the shape of the face, body shape or abdomen and coils as well as detailed parts of the eyes, eyebrows, nose, mouth, mustache, and other detailed shapes. (I Made Yasana, Menggambar Wayang Klasik Bali 1). Gede Modara who created the Kamasan Wayang style inspired the author to create puppets with a new style through the figures in the Kamasan Classical Puppet. This creation process aims to preserve the Kamasan Classical Puppet and develop it into a modern painting without eliminating the existing packages.  The paintings created are expected to be able to become the characteristics of the author.

References

Arsad Tri Gunawan, I Made. (2022). Skripsi, Rerajahan Sebagai Sumber Inspirasi Penciptaan Seni Lukis. Denpasar. Program Studi Seni Rupa dan Desain Institut Seni Indonesia Denpasar.

Dharma Supuja, I Wayan. (2016). Skripsi, Perjalanan Sutasoma Dalam Wujud Karya Lukis. Denpasar. Program Studi Seni Rupa dan Desain Institut Seni Indonesia Denpasar.

DOSENSOSIOLOGI.COM. 6 Teori Struktural Fungsional Menurut Para Ahli dan Contohnya Lengkap. Diakses pada 20 Oktober 2022 dari 6 Teori Struktural Fungsional Menurut Para Ahli dan Contohnya Lengkap (dosensosiologi.com)

Vickers, Adrian. (2012). Balinese Art Paintings and Drawing of Bali 1800-2010. Tokyo/Rutland, Vermont/Singapore: Tuttle. Journal of the Humanities and Social Sciences of Southeast Asia and Oceania.

M. Iqbal, Hasan, (2000). Metodologi Penelitian. Bogor. Galia IndonesiaKartika, Darsono Sonya. 2017. Seni Rupa Modern. Bandung. Rekayasa Sains.

Yasana, I Made. (2005). Menggambar Wayang Klasik Bali 1. Denpasar. Jurusan seni Murni Fakultas Seni Rupa dan Desain Institut Seni Indonesia Denpasar.

Kanta, I Made. (1977/1978). Proses Melukis Tradisional Wayang Kamasan. Denpasar. Proyek Sasana Budaya Bali.

Suarka, I Nyoman, Cika I Wayan, I Ketut Riana, Suatjana I Made, Gde Tjatera Ida I Dewa. Cetakan I (2012). Lukisan Sutasoma (Sutasoma Painting). Denpasar. Pusat Kajian Bali & Udayana University Press Universitas Udayana Denpasar.

Sudana, I Made. (2022). Skripsi Bentuk-Bentuk Pelelintangan di Sanggar Wasundari Desa Kamasan Sebagai Sumber Inspirasi Seni Lukis. Denpasar. Program Studi Seni Rupa dan Desain Institut Seni Indonesia Denpasar.

Krisnata, I Wayan. (2018). Skripsi, Seni Lukis Batuan Sebagai Inspirasi Penciptaan Seni Lukis Kontemporer. Denpasar. Program Studi Seni Rupa dan Desain Institut Seni Indonesia Denpasar.

Nova Widiana Putra, I Putu (2017). Skripsi, Tradisi Ngerebeg Mekotek di Desa Munggu Dalam Karya Seni Lukis. Denpasar. Program Studi Seni Rupa dan Desain Institut Seni Indonesia Denpasar.

Warsika, I Gst. Made. (1986). Kerta Gosa Selayang Pandang. Klungkung.

Daftar Nara Sumber/Informan

Pande Sumantra, I Wayan, Pelukis, etua Sanggar Sinar Pande. Wawancara tanggal 01 Oktober 2022 di Sanggar Sinar Pande, Banjar Pande Kamasan, Klungkung Bali.

Sri Wedari, Ni Wayan, Pelukis, Ketua Sanggar Wasundari, Wawancara tanggal 16 Okober 2022 di Sanggar Wasundari, Banjar Sanging, Kamasan, Klungkung Bali

Downloads

Published

2023-10-28

How to Cite

Neode, H. C. ., Tjokropramono, I. G. Y. ., & Budiarta, I. D. P. G. . (2023). Figures of Classic Kamasan Painting as Inspiration for the Creation of Modern Painting. CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI, 3(2), 174–189. https://doi.org/10.59997/ctkr.v3i2.2994

Most read articles by the same author(s)

1 2 3 > >> 

Similar Articles

1 2 3 4 > >> 

You may also start an advanced similarity search for this article.