Sang Hyang Semara Ratih as The Creation of Painting

Authors

  • I Dewa Gede Wisnu Jaya Ninggrat Program Studi Seni Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar
  • I Dewa Putu Gede Budiarta Program Studi Seni Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar
  • I Wayan Kondra Program Studi Seni Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar

Keywords:

Sang Hyang Semara Ratih, painting creations.

Abstract

This independent project thesis raises the title Sang Hyang Semara Ratih as the creation of a painting. In the Hindu mythological story Sang Hyang Semara Ratih, which is the lamp of the gods and goddesses as a symbol of love full of desire and loyalty and sacrifice. The story is told in Lontar Cundamani II. In this quote, it is told that heaven is being attacked by the giant Nilarudraka, a powerful giant who wants to rule over heaven. The gods were all defeated, none of them could fight him. Finally the gods came to Bhagawan Wraspati to ask and predict who would be able to beat the giant. Finally the results of the prediction showed that the giant Nilarudraka would only be defeated by the elephant-headed children of Lord Shiva. From the contents of this thesis, the author also reveals the creation of works of art, which the author creates and shows, namely the visuals of the Hindu Mythological object Sang Hyang Semara Ratih which contain many philosophical meanings in it. The conclusion of Sang Hyang Semara Ratih's thesis as the creation of this painting aims to provide an understanding for readers to recognize the meaning of the symbols contained in Sang Hyang Semara Ratih.

References

BALIILU 21 November 2019 I WAYAN PANDE SUMANTRA Bangun Sanggar Sinar Pande, Retaskan Pelukis-pelukis Cilik Wayang Kamasan

Parisada Hindu Dharma Indonesia 2014 Tentang Sang Hyang Semara Ratih "Simbol Cinta Kasih"

Wirani, I. A. S., & Suwardipa, I. B. (2018, March). Sang Hyang Semara Ratih dalam Upacara “Mepandes”. In SEMINAR NASIONAL BAHASA, SASTRA DAERAH, DAN PEMBELAJARANNYA 2018.

Suadnyana, I. B. P. E. (2021). Fungsi Religius Rerajahan Semara Ratih Pada Upacara Metatah. Pramana: Jurnal Hasil Penelitian, 1(1), 76-88.

Suda, G. (2020). Sakralitas Pawiwahan Hindu: Analisis Teologi Seksual. PANGKAJA: JURNAL AGAMA HINDU, 23(1), 54-64.

mohamamadwildan 11 Oktober 2016 I Nyoman Mandra, Pelestari Seni Lukis Kamasan Bali

CNN indonesia 14 November 2022 Pengertian Seni Rupa, Jenis, Fungsi, Unsur, dan Prinsipnya

I Wayan , Gulendra (2010) Pengertian Warna dan Tekstur. Artikel Bulan Juni 2010, 8. p. 1.

Sunaryo (2002) Nirmala unsur-unsur seni rupa

Suparta, M. (2010). Unsur-unsur Seni Rupa. Jurnal.

Suparta, I. M. (2010). Prinsip Seni Rupa. Diakses dari: www. isi-dps. ac. id/berita/prinsip-seni-rupa. Pada tanggal, 19.

Yudha, IMB, & Gulendra, IW (2021). Dekonstruksi Perubahan Karakter Citra Kreatif Dalam Karya Seni Lukis. CITA KARA: JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI , 1 (01), 23-31.

Sartini, N. W. (2007). Tinjauan teoritik tentang semiotik. Jurnal Unair: Masyarakat Kebudayaan Dan Politik, 20(1), 1-10.

Downloads

Published

2023-10-28

How to Cite

I Dewa Gede Wisnu Jaya Ninggrat, I Dewa Putu Gede Budiarta, & I Wayan Kondra. (2023). Sang Hyang Semara Ratih as The Creation of Painting. CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI, 3(2), 207–215. Retrieved from https://jurnal2.isi-dps.ac.id/index.php/citrakara/article/view/3003

Issue

Section

Articles

Most read articles by the same author(s)