Music Bebasungan Implementation Of Pupuh Basung In The Selonding Gamelan | Karawitan Bebasungan Implementasi Pupuh Basung Dalam Gamelan Selonding
DOI:
https://doi.org/10.59997/jurnalsenikarawitan.v3i3.2096Keywords:
Freedom, Karawitan Innovative, Selonding, BebasunganAbstract
Kidung is a literary work of poetry that has a specific meaning which is used in yadnya ceremonies for Hindus in Bali. One of the songs or pupuhs used is known as the Basung Pupuh. This pupuh is a ballad accompanied by gamelan xylophone during the Pitra Yadnya ceremony. Gratisungan's innovative work aims to apply kidung basung to the selonding gamelan so that in the future it will not only be used in pitra yadnya events but other yadnya ceremonies. The method used in this work is the Alma M. Hawkins method which consists of three parts, namely the exploration stage, the experimental stage improvisation, and the forming stage. The result of this work uses a structure in four parts, where each part has a different processing of musical elements to convey a sacred impression, with a concept designed based on the length and short length of the piece in each part so that it makes it easier for arrangers to explore and have aesthetic values.
Downloads
References
Anggriani, P .M. R. 2020. Hindu Nusantara: Antara Tradisi dan Upacara. Nilacakra. Badung.
Darmayasa, I. Ketut Agus, and Kadek Suartaya. 2023. “Music Composition ‘Sekar Layu’ | Komposisi Musik Inovatif ‘Sekar Layu.’” GHURNITA: Jurnal Seni Karawitan 1(4):224–33. doi: https://doi.org/10.59997/jurnalsenikarawitan.v1i4.422.
Dibia, I Wayan. 2020. NGUNDA BAYU Teknik Pengolahan Tenaga Dalam Seni Pertunjukan Bali. Denpasar : Geria Olah Kreativitas Seni (GEOKS).
-ID-penerapan-metode-penciptaan-alma-hawkins.pdf. (t.t.). Diambil 17 Oktober 2022, dari https://media.neliti.com/media/publications/90068-ID-penerapan-metode-penciptaan-alma-hawkins.pdf
Filosofi Selonding Dalam Tatwa Hindu | ISI Denpasar. (t.t.). Diambil 18 September 2022, dari https://isi-dps.ac.id/filosofi-selonding-dalam-tatwa-hindu/
I Made, K. (2004). “NGUMBANG-NGISEP” SEBUAH KAJIAN ESTETIKA AKUSTIK GAMELAN BALI. Bheri (JURNAL ILMIAH MUSIK NUSANTARA), 3(1), Art. 1.
I Wayan Dibia. (2020). Panca Sthiti Ngawi Sani. Perpustakaan ISI Denpasar.
I Wayan Suharta, I Nyoman Suarka, I Wayan Cika, I Ketut Setiawan. "Gamelan Selonding Sacred Function in Tenganan Pegringsingan Village." E-Journal of Cultural Studies 14, no. 1 (2021): 20–28. https://doi.org/10.24843/cs.2021.v14.i01.p03.
KARAWITAN BALI | wayanariawan. (2014, Maret 6). wayanariawan | SITUS INFORMASI TERUPDATE 2020. https://blog.isi-dps.ac.id/wayanariawan/karawitan-bali
Udayana, U. S. D. I. U. (t.t.). FILOSOFI DAN FUNGSI KIDUNG BAGI UMAT HINDU - UNUD | Universitas Udayana. Diambil 10 Januari 2023, dari https://www.unud.ac.id/in/berita99-FILOSOFI-DAN-FUNGSI-KIDUNG-BAGI-UMAT-HINDU.html
Pryanta, I. P. D., Santosa, H., & Sudirga, I. K. 2020. Permainan Kendang Bali. Dewa Ruci: Jurnal Pengkajian Dan Pencipaan Seni. doi: https://doi.org/10.33153/dewaruci.v15i2.2991
Purnayasa, I. M. R., & Santosa, H. (2022). The Tran sformation of Wargasari’s Kidung i nto Composition “Wehyang.” 2(3), 173–179. https://jurnal2.isi-dps.ac.id/index.php/ghurnita/article/view/476
Santosa, Hendra. 2019. MERDANGGA Perubahan dan Kelanjutannya. Denpasar: Fakultas Seni Pertunjukan Institut Seni Indonesia Denpasar.
Santosa, Hendra, Dyah Kustiyanti, and Ida Ayu Wayan Arya Satyani. “Jejak Seni Pertunjukan Bali Kuna Dalam Karya Kesusastraan Usana Bali Mayantaka Carita.” Mudra Jurnal Seni Budaya 36, no. 2 (June 11, 2021): 179–85. https://doi.org/10.31091/mudra.v36i2.1247.
Yudha, I. Nyoman, Putra Widiantara, Hendra Santosa, and Kadek Suartaya. 2020. “Proses Penciptaan Komposisi Karawitan Kreasi Baru Paras Paros.” 8(April):1–13. doi: https://doi.org/10.24821/promusika.v1i1.3607.
