Karawitan Composition Gending Tresna | Komposisi Karawitan Gending Tresna
DOI:
https://doi.org/10.59997/jurnalsenikarawitan.v3i1.1369Keywords:
Gending Tresna, Gamelan, Selonding, Karawitan, BaliAbstract
The creation of this musical is intended to express feelings of love for someone. Feeling is defined as a state that is felt is happening within a person. You experience feelings of anger, because you feel something stir within you. With this explanation, the author is very interested in raising the feeling that will be used as an innovative percussion composition. This composition will be titled “Gending Tresna” which is interpreted as a love song that tells the feelings of love for a pair of lovers. The creation method used is idea exploration, technique exploration, conception exploration, and the formation stage. The medium to express musical feelings is the Selonding gamelan plus several other instruments that can be poured into an innovative composition entitled Gending Tresna. The composition of this music is in the form of an innovative percussion by still using traditional patterns and considering the melody line in accordance with the atmosphere of the idea and concept of wholeness, balance, and prominence from the first part to part 3 in a structured, interrelated manner.
Downloads
References
Bandem, I. M. (2013). Gamelan Bali di atas Panggung Sejarah. Badan Penerbit STIKOM Bali.
Barbara & Allan Pease, B. (2003). Why Women Cry (Terjemahan). arrangement with PEASE INTERNATIONAL PTY. LTD. AUSTRALIA, c/o Dorie Simmonds Literary Agency. https://psikologi.umm.ac.id/files/file/Ebook/Why Women Cry.pdf
Dewantara, I. P. G. E. P., Suartaya, K., & I Ketut Garwa. (2021). Sangkameteng Karawitan Composition | Komposisi Karawitan Sangkameteng. GHURNITA: Jurnal Seni Karawitan, 01(01), 47–55. https://jurnal2.isi-dps.ac.id/index.php/ghurnita/article/view/212
Dibia, I. W. (2017). Kotekan Dalam Musik Dan Kehidupan Bali. Bali Mangsi Foundation dan ISI Denpasar.
Hawkins, A. M. (2003). Creating Through Dance (Mencipta Lewat Tari terjemahan Y. Sumandiyo Hadi). In Manthili Yogyakarta.
Kadek Samego, T. H. (2021). Karawitan Composition Brama Rupa | Komposisi Karawitan Brama Rupa. Ghurnita Jurnal Seni Karawitan, 01(04), 281–289. https://jurnal2.isi-dps.ac.id/index.php/ghurnita/article/view/480
Pryatna, H. S. I. K. S. I. P. D. (2020). Permainan Kendang Bali. Dewaruci, 15(2), 90–100. https://doi.org/10.33153/dewaruci.v15i2.2991
Sukerta, P. M. (2010). Tetabuhan Bali I. ISI Press Surakarta.
Tusan, P. W. (2002). Selonding: Tinjauan Gamelan Bali Kuna Abad X-XIV, Suatu Kajian Berdasarkan Prasasti, Karya Sastra, dan Artefak. Citra Lekha Sanggraha.
Widiana, I. W. P. (2019). Karakteristik Gamelan Selonding Bebandem Dan Selonding Tenganan “Studi Komparasi Intramusikal.” Mudra Jurnal Seni Budaya, 34(1), 61–72. https://doi.org/10.31091/mudra.v34i1.637
Yasa, I. K. (2018). Angsel-Angsel dalam Gong Kebyar. Mudra Jurnal Seni Budaya, 33(1), 85. https://doi.org/10.31091/mudra.v33i1.324
