Improving Artistic Creativity Through Fostering Karawitan Art For Youth Gong Groups In Ulian Village | Meningkatkan Kreativitas Seni Melalui Pembinaan Seni Karawitan Terhadap Sekaa Gong Remaja Di Desa Ulian

Authors

  • Aghastya Radha Institut Seni Indonesia Denpasar

DOI:

https://doi.org/10.59997/jurnalsenikarawitan.v3i3.2490

Keywords:

Kknt, Ulian village, Gamelan, Semarpegulingan

Abstract

Ulian Village, Kintamani District, Bangli Regency is one of the villages that is lagging behind in the field of musical arts. This backwardness is due to the absence of artistic figures who have become pioneers in both musical and other arts. The participation of Ulian Village in various performances held throughout the Kintamani District was also very minimal, Ulian Village had only participated in the event once. So from this the author chose Ulian Village as a Thematic Real Work Lecture (KKNT) partner. In Ulian Village, there are no artists who know about the Semarpegulingan gamelan, that the Semarpegulingan gamelan actually has a patet system and this gamelan is not like gong kebyar, so it sounds strange to the public's ears. The results of observations that the author observed in Ulian Village from an artistic perspective, namely karawitan art, mostly in this Ulian Village the percussion or gending that is played is percussion telu lembang, and there is gamelan semarpegulungan which is rarely used or played. The solution that we offer in this Thematic Real Work Lecture (KKNT), namely, training on gamelan semarpegulungan for youth sekha gong which will be initiated by the author. in this case students can contribute in providing reinforcement, training, and knowledge.

Downloads

Download data is not yet available.

References

Ardana, I. Ketut. 2020. “Representasi Konsep Patet Dalam Tradisi Garap Gamelan Bali.” Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) 21(1):11–27. doi: https://doi.org/10.24821/resital.v21i1.4213.

Gede Rudita, I. Ketut, I. Putu Gede Padma Sumardiana, and Ida Ayu Putu Sari. 2019. “PENGEMBANGAN TABUH TARI WALI SANGGAR SENI PARI GADING DESA PUPUAN SAWAH, KECAMATAN SELEMADEG, KABUPATEN TABANAN.” WIDYANATYA 1(2):92–111. doi: https://doi.org/10.32795/widyanatya.v1i2.500.

Haryanto, Tri, and I. Gede Yudana. 2023. “Contemporary Music Composition ‘Embryo’| Komposisi Musik Kontemporer ‘Embrio.’” GHURNITA: Jurnal Seni Karawitan 1(1):1–10. doi: https://doi.org/10.59997/jurnalsenikarawitan.v1i1.147.

Hawkins, A. M. n.d. Mencipta Lewat Tari (Terjemahan Oleh Y. Sumandiyo Hadi). Yogyakarta: Institut Seni Indonesia.

Praditya, Deny, Saptono Saptono, and I. Ketut Partha. 2023. “Creation Music Pepanggulan Ki Gepang | Tabuh Kreasi Pepanggulan, ‘Ki Gepang.’” GHURNITA: Jurnal Seni Karawitan 1(4):264–72. doi: https://doi.org/10.59997/jurnalsenikarawitan.v1i4.427.

Pratama, Gede Made Rama, and Saptono -. 2023. “Campuhan: A New Music Creation | Campuhan: Sebuah Musik Kreasi Baru.” GHURNITA: Jurnal Seni Karawitan 1(2):92–99. doi: https://doi.org/10.59997/jurnalsenikarawitan.v1i2.149.

Purna Yasa, I. Made Rai, and Hendra Santosa. 2022. “The Transformation of Wargasari’s Kidung into Composition ‘Wehyang’ | Transformasi Kidung Wargasari Ke Dalam Komposisi Karawitan ‘Wehyang.’” GHURNITA: Jurnal Seni Karawitan 2(3):173–79. doi: https://doi.org/10.59997/jurnalsenikarawitan.v2i3.476.

Putu Paristha Prakasih, Hendra Santosa, I. Gede Yudarta. 2018. “Tirtha Campuhan: Karya Komposisi Baru Dengan Media Gamelan Semar Pagulingan.” Resital: Jurnal Seni Pertunjukan 19(3):113–21. doi: https://doi.org/10.24821/resital.v19i3.2452.

Rianta, I. Made, Hendra Santosa, and I. Ketut Sariada. 2019. “Estetika Gerak Tari Rejang Sakral Lanang Di Desa Mayong, Seririt, Buleleng, Bali.” Mudra Jurnal Seni Budaya 34(3):285–393. doi: https://doi.org/10.31091/mudra.v34i3.678.

Sadguna, I. Gde Made Indra. 2016. “PUPUH KEKENDANGAN SEBAGAI IDENTITAS SEMAR PAGULINGAN SAIH LIMA PELIATAN.” Dewa Ruci: Jurnal Pengkajian Dan Penciptaan Seni 7(1). doi: https://doi.org/10.33153/dewaruci.v7i1.971.

Sudiatmika, Made. 2011. “Peranan Sruti Dalam Patutan Gambelan Semar Pagulingan Saih Pitu.” Artikel Bulan Juli (2011).

Sukerta, Pande Made. 2001. Jenis-Jenis Tungguhan Karawitan Bali. Jakarta: Proyek Pengembangan Media Kebudayaan Direktorat Jenderal Kebudyan Departemen Pendidikan Nasional Republik Indonesia.

Widara, Anom, and I. Ketut Muryana. 2022. “Pelegongan Music Composition “Kasmaran | Komposisi Gamelan Pelegongan ‘Kasmaran.’” GHURNITA: Jurnal Seni Karawitan 2(3):165–72. doi: https://doi.org/10.59997/jurnalsenikarawitan.v2i3.458.

Yasa, I. Gede Janu Merta, and Ni Putu Tisna Andayani. 2023. “Tabuh Lelambatan Klakat Sudhamala: A New Creative Musical Composition | Tabuh Lelambatan Klakat Sudhamala: Sebuah Komposisi Karawitan Kreasi Baru.” GHURNITA: Jurnal Seni Karawitan 1(1):37–46. doi: https://doi.org/10.59997/jurnalsenikarawitan.v1i1.191.

Yasa, I. Ketut. 2017. “Aspek Musikologis Gêndér Wayang Dalam Karawitan Bali.” Resital: Jurnal Seni Pertunjukan 17(1):46–59. doi: https://doi.org/10.24821/resital.v17i1.1689.

Yasa, I. Ketut. 2018. “Angsel-Angsel Dalam Gong Kebyar.” Mudra Jurnal Seni Budaya 33(1):85. doi: https://doi.org/10.31091/mudra.v33i1.324.

Yudarta, I. G. 2023. Sosialisasi Program MBKM (Merdeka Belajar Kampus Merdeka). Denpasar: ISI Denpasar.

Yudha, I. Nyoman, Putra Widiantara, Hendra Santosa, and Kadek Suartaya. 2020. “Proses Penciptaan Komposisi Karawitan Kreasi Baru Paras Paros.” 8(April):1–13. doi: https://doi.org/10.24821/promusika.v1i1.3607.

Downloads

Published

2023-08-25

Issue

Section

Articles