Music Creation Wajaprani | Tabuh Kreasi Wajaprani
DOI:
https://doi.org/10.59997/jurnalsenikarawitan.v4i2.3409Keywords:
Tabuh Kreasi, Wajaprani, independent projectAbstract
Coral rocks, as an iconic element of Bali's coast, have a central role in the island's art and culture. Music, musical arts and dance in Bali often use the character and unique shapes of coral rocks found along the coast to become inspiration for works of art. In Jembrana district, precisely in Pengeragoan village, there is Yeh Leh Beach, on this beach there are beautiful coral rocks which later became the inspiration for the creation of the creative percussion work entitled Wajaprani. The rock's sturdy character even when hit by waves is an inspiration for creating dynamic rhythms. with the character of the coral rocks on Yeh Leh Beach, the stylist thought it would be very suitable to use the medium of gamelan gong kebyar to implement the characters on the coral rocks.
Downloads
References
A.A.M.Djelantik. (1999). Estetika: Sebuah Pengantar. Masyarakat Seni Pertunjukan Indonesia (MSPI).
Adi Surya, I. G., Saptono, S., & Partha, I. K. (2022). The Process of Music Creation Kelabu | Proses Kreasi Musik “Kelabu.” GHURNITA: Jurnal Seni Karawitan, 2(1), 62–70. https://doi.org/10.59997/jurnalsenikarawitan.v2i1.419
Adiputra, K. A. P., & Haryanto, T. (2022). Music Composition Makules | Komposisi Musik Makules. Ghurnita Jurnal Seni Karawitan, 2(2), 86–96. https://jurnal2.isi-dps.ac.id/index.php/ghurnita/article/view/406/460
Adnyana, I. M. P. I. G. Y. H. S. (2019). Patra Dalung, Sebuah Komposisi Karawitan Bali Yang Lahir Dari Fenomena Sosial Di Desa Dalung. Kalangwan: Jurnal Seni Pertunjukan, 5(1), 61–67. https://jurnal.isi-dps.ac.id/index.php/kalangwan/article/view/670
Aryasa, I. W. M. (1985). Pengetahuan Karawitan Bali. Departemen Pendidikan dan Kebudayaan Bali.
Bandem, I. M. (2013). Gamelan Bali di atas Panggung Sejarah. Badan Penerbit STIKOM Bali. https://books.google.co.id/books/about/Gamelan_Bali_di_atas_panggung_sejarah.html?id=_lLmoAEACAAJ&redir_esc=y
Daniswara, I. P. (2023). Megineman Sebuah Komposisi Karawitan Kreasi Baru. GHURNITA: Jurnal Seni Karawitan, 1(2), 134–142. https://doi.org/10.59997/jurnalsenikarawitan.v1i2.335
Dibia, I Wayan. 2017. Kotekan Dalam Musik Dan Kehidupan Bali. Denpasar : Bali Mangsi Foundation, Institut Seni Indonesia Denpasar.
Dibia, I Wayan. 2020. Panca Sthiti Ngawi Sani, Metode Penciptaan Seni. Denpasar: Penerbit Pusat Penerbitan LP2MPP Institut Seni Indonesia Denpasar.
Saptono, Santosa, H., & Sutritha, I. W. (2024). Struktur Musik Iringan Tari Puspanjali. Panggung: Jurnal Seni Budaya, 34(1), 58–69. https://jurnal.isbi.ac.id/index.php/panggung/article/view/2446
Sugiartha, I Gede. 2012. Kreativitas Musik Bali Garapan Baru Perspektif Cultural Studies. Denpasar : Institut Seni Indonesia.
Sukerta, Pande Made. 2011.”Metode Penyusunan Karya Musik (Sebuah Alternatif)”, Surakart: Kementrian Pendidikan Nasional Program Pasca Sarjana, ISI Surakarta.
Suweca, I Wayan. 2009. Buku Ajar Estetika Karawitan. Denpasar : Instititut Seni Indonesia Denpasar.
