Bayu Wetan As An Inspiration For The Percussion Of The Hips Creations | Bayu Wetan Sebagai Inspirasi Tabuh Kreasi Pepanggulan

Authors

  • Dwi Antara Putra Institut Seni Indonesia Denpasar
  • Ni Ketut Dewi Yulianti Program Studi Seni Karawitan, ISI Denpasar

DOI:

https://doi.org/10.59997/jurnalsenikarawitan.v2i1.421

Keywords:

Bayu wetan, percussion, creation, hips

Abstract

This work is poured into the composition of the Tabuh Kreasi Pepanggulan. The analogy is with the expression of the stylist's feelings through the natural phenomenon of the east wind blowing. This idea arose when the stylist was sitting in one of the seats in the stylist's own house, and the stylist felt a gust of wind coming from the east that blew neatly and brought an atmosphere of beauty, the coolness of the wind's strength, the stylist felt how the atmosphere was in the morning. Based on this phenomenon, the stylists got the inspiration to realize the beauty, coolness, and strength of the east wind that had approached the stylist's soul into a form of Pepanggulan's Creative Tabuh composition which was packaged using the Tri Angga structure, namely Kawitan, Pengawak, and Pengcet. Bayu and wetan are two words that have different meanings, but the stylist will make these meanings into one complete work. The word "bayu" in Sanskrit means wind, and the word "wetan" means east, apparently white, the script is "dang" with the magic of Sang Sadyoja (Bandem, 1986). So "bayu wetan" can be interpreted as a philosophical concept from Dewa Iswara who controls the east direction and controls the direction of the wind in the east.

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References

Bandem, I. M. (1986) Prakempa, Sebuah Lontar Gamelan Bali. Denpasar: Akademi Seni Tari Indonesia.

Bandem, I. M. (2013) Gamelan Bali Di Atas Panggung Sejarah. Denpasar: BP. Stikom Bali.

Rembang, I. N. (1984) Hasil Pendokumentasian Notasi Gending-Gending Lelambatan Klasik Pagongan Daerah Bali. Denpasar: Departemen Pendidikan dan Kebudayaan Provinsi Bali.

Sugiartha, I. G. A. (2012) Kreativitas Musik Bali Garapan Persfektif Cultural Studies. Denpasar: UPT. Penerbitan ISI Denpasar.

Sukerta, P. (2011) Metode Penyusunan Karya Musik. ISI Pres Solo.

Sumandiyo, H. Y. (1990) Mencipta Lewat Tari (terjemahan buku Creatng Trought Dance oleh Alma M. Hawkins). Yogyakarta: Institut Seni Indonesia Yogyakarta.

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Published

2022-03-07

Issue

Section

Articles