Nuraga Sanubari Musical Composition | Komposisi Karawitan Nuraga Sanubari
DOI:
https://doi.org/10.59997/jurnalsenikarawitan.v4i3.3393Keywords:
Nuraga Sanubari, flute gambuh., Relaxation Music, Gambuh Flute, KarawitanAbstract
Nuraga Sanubari is based on musical art, which has the background of the author's desire to create relaxation music that utilizes traditional instruments because, currently, the processing of relaxation music usually tends to use Western instruments. The author wants to express his feelings through musical works to be listened to and distributed to the general public. The spoken media used are as follows, flute gambuh, gumanak, kempur gambuh, gentorag, dun-dun, and Native American Flute. In creating this musical work, the arranger used the method from Alma M. Hawkins in the book Creating Through Dance (1964), which explains that the arranger went through 3 stages: Exploration, Improvisation and Forming. This relaxation music piece has two parts. In the first part, the author wants to emphasize further the tonal character of the gambuh flute, which is combined with the native American flute, and in the second part, the author creates a happy and happy atmosphere by processing the dun-dun, kempur, gumanak, and gentorag instruments. The number of musicians in this relaxation music work is 17 people including the author, and the duration of the work is approximately 11 minutes.
Downloads
References
A.A.M.Djelantik. 1999. Estetika: Sebuah Pengantar. Bandung: Masyarakat Seni Pertunjukan Indonesia (MSPI).
Adi Surya, I. Gede, Saptono Saptono, and I. Ketut Partha. 2022. “The Process of Music Creation Kelabu | Proses Kreasi Musik ‘Kelabu.’” GHURNITA: Jurnal Seni Karawitan 2(1):62–70. doi: 10.59997/jurnalsenikarawitan.v2i1.419.
Anandakusuma, Sri Reshi. 1986. Kamus Bahasa Bali. Indonesia-Bali. CV. Kayu Mas Agung. Denpasar.
Bandem, I. Made. 2013. Gamelan Bali Di Atas Panggung Sejarah. Denpasar: Badan Penerbit STIKOM Bali.
Daniswara, I. Putu. 2023. “Megineman Sebuah Komposisi Karawitan Kreasi Baru.” GHURNITA: Jurnal Seni Karawitan 1(2):134–42. doi: 10.59997/jurnalsenikarawitan.v1i2.335.
Darmayasa, I. Ketut Agus, and Kadek Suartaya. 2023. “Music Composition ‘Sekar Layu’ | Komposisi Musik Inovatif ‘Sekar Layu.’” GHURNITA: Jurnal Seni Karawitan 1(4):224–33. doi: 10.59997/jurnalsenikarawitan.v1i4.422.
Hardjana, Suka. 2003. Corat-Coret Musik Kontemporer. Jakarta: Ford Foundation dan Masyarakat Seni Pertunjukan Indonesia.
Hawkins, Alma M. 2003. Mencipta Lewat Tari. Terj. Y. Sumandiyo Hadi. Yogyakarta: Manthili.
Juniarta, I. Nyoman, I. Nyoman Sudiana, and Ni Putu Hartini. 2022. “Composition Karawitan Bali ‘Pajegan’ | Komposisi Karawitan Bali ‘Pajegan.’” GHURNITA: Jurnal Seni Karawitan 2(1):25–31. doi: 10.59997/jurnalsenikarawitan.v2i1.389.
Kariasa, I. Nyoman, and I. Kadek Tunas Sanjaya. 2023. "Introduction to Contemporary Music 'Ngegong' | Pengantar Musik Kontemporer' Ngegong.'" GHURNITA: Jurnal Seni Karawitan 1(1):11–19. doi: 10.59997/jurnalsenikarawitan.v1i1.141.
Raka, I. Made Raka Adnyana, and Saptono -. 2022. “Karawitan Composition ‘Samsara’ | Komposisi Karawitan ‘Samsara.’” GHURNITA: Jurnal Seni Karawitan 2(4):266–74. doi: 10.59997/jurnalsenikarawitan.v2i4.1151.
Rama, Rama Widana, and Wardizal -. 2023. “Music Composition Magringsing | Komposisi Tabuh ‘Magringsing.’” GHURNITA: Jurnal Seni Karawitan 1(4):299–306. doi: 10.59997/jurnalsenikarawitan.v1i4.463.
Lentowa, Jafar dkk. 2017. Semiotika Teori, Metode dan Penerapannya dalam Penelitian Sastra. Yogyakarta. Deepublish.
Santosa, Hendra, Saptono, and I. Wayan Sutirtha. 2022. I Nyoman Windha Sang Maestro Karawitan Bali. edited by Abdul. Denpasar: Penerbit Adab.
Santosa, H. (2005). Pengetahuan Multimedia Jilid 1.
Sugiartha, I. G. A. 2012. Kreativitas Musik Bali Garapan Baru. UPT. Penerbitan ISI Denpasar.
Sugono, D. 2008. Kamus Bahasa Indonesia. Departemen Pendidikan Nasional.
Niswai Khoiriyah. 2017, Pemanfaatan Pemutaran Musik Terhadap Psikologis Pasien pada klinik Ellena SkinCare, Surakarta.
