Music Composition Ngiyang | Komposisi Musik Ngiyang
DOI:
https://doi.org/10.59997/jurnalsenikarawitan.v2i4.1199Keywords:
Karawitan, Ngiyang, Gong Kebyar, BaliAbstract
Ngiyang is a combination of two words that become one, namely ngibur and drifting. The purpose of this work is to explore further the composition of the new creation of gong kebyar percussion that has been designed by the stylist and how the stylist can grow something new in the form of this work as an experiment that the stylist does. This Ngiyang musical art work is created through a method that is carried out with a creative process that is always related to time, place, situation and condition of course balanced with the experience of the stylist in the world of Karawitan Art so as to achieve success in creating a work of art. The stage of creating Ngiyang's work was carried out with 36 musicians, using the medium of expressing gong kebyar. The results of this work are uploaded or broadcast on social media using the Youtube application with 14 minutes 41 seconds duration of the video.
Downloads
References
Bandem, I. M. (2013). Gamelan Bali di atas Panggung Sejarah. Badan Penerbit STIKOM Bali.
Banoe, P. (2003). Kamus Musik. Kanisius.
Dewantara, I. P. G. E. P. (2021). Sangkameteng Karawitan CompositionKomposisi Karawitan Sangkameteng. Sangkameteng Karawitan CompositionKomposisi Karawitan Sangkameteng, vol.1 no.1.
Dibia, I. W. (2020). Panca Sthiti Ngawi Sani Metodologi Penciptaan Seni. Pusat Penerbitan LPPMPP Institut Seni Indonesia Denpasar.
Djendra, I. N. (2009). Kamus Ideal Bahasa Bali. Dharma Pura.
Hawkins, A. M. (2003). Mencipta Lewat Tari (Y. S. Hadi (ed.)). Manthili.
I Gede Arya Sugiartha. (2018). Lekesan: Interdisciplinary Journal of Asia Pacific Arts. Lekesan: Insterdisciplinary Journal of Asia Pacific Arts, 1(1).
I Kadek Tunas Sanjaya, I. N. K. (2021). Introduction to Contemporary Music “Ngegong” | Pengantar Musik Kontemporer “Ngegong.” GHURNITA: Jurnal Seni Karawitan.
Kariasa, I. N., & Putra, I. W. D. (2021). Karya Karawitan Baru Manikam Nusantara. Mudra Jurnal Seni Budaya. Karya Karawitan Baru Manikam Nusantara. Mudra Jurnal Seni Budaya.
Karina, I., & dkk. (2016). The Composer Journey Wacana dan Kerja Komponis Indonesia. Art Music Today Publishing.
Pradana, K. A. W. (2021). SAMIRATA a Musical Art Composition Creative Percussion | SAMIRATA Sebuah Komposisi Seni Karawitan Tabuh Kreasi. SAMIRATA a Musical Art Composition Creative Percussion | SAMIRATA Sebuah Komposisi Seni Karawitan Tabuh Kreasi, 1 no.
Pryatna, I. P. D. (2020). Konsep Musikal Instrumen Kendang dalam Gamelan Gong Kebyar. Konsep Musikal Instrumen Kendang Dalam Gamelan Gong Kebyar, vol.21 no.
Santosa, H. S. (2016). Gamelan Sistem Sepuluh Nada dalam Satu Gembyang untuk Olah Kreativitas Karawitan Bali. Pantun, 1(2), 85–96. https://jurnal.isbi.ac.id/index.php/pantun/article/view/747
Sugiartha, I. G. A. (2012). Kreatifitas Musik Bali Garapan Baru: Persfektif Cultural Studies. UPT. Penerbitan ISI Denpasar.
Sukerta, P. M. (2011). Metode Penyusunan Karya Musik: Sebuah Alternatif. ISI Press Solo.
Yudha, I. N., Widiantara, P., Santosa, H., & Suartaya, K. (2020). Proses Penciptaan Komposisi Karawitan Kreasi Baru Paras Paros. 8(April), 1–13. https://doi.org/10.24821/promusika.v1i1.3607
