Musical Creation “Jegong” | Tabuh Kreasi “Jegong”
DOI:
https://doi.org/10.59997/jurnalsenikarawitan.v3i3.2074Keywords:
gamelan, jegog, gong kebyar, creationAbstract
Building a work of art certainly goes through a lot of processes and stages, in this case an artist or a composer who explores several phenomena. Seeing this phenomenon, the stylists were motivated to create works that used ideas from a Balinese gamelan stylist's life experience of combining/collaborating both elements of Jegog gamelan and Gong Kebyar gamelan. In the form of depictions of gending, namely the life experience of playing gamelan and containing the structures, motifs and techniques of the two gamelans which are used as a form of percussion creations entitled Jegong. The purpose of making this work is to offer a new nuance to the Jegog gamelan in collaboration with the Gong Kebyar gamelan and to train arrangers to show their identity as potential composers in composing Balinese karawitan music. This Jegong work uses a method of creating works of art that uses the chopped pangi structure where this structure is used to create a composition work of Jegog stems in Jembrana Regency. To get the maximum artistic output, the stylist tries to convey Gong Kebyar playing in his own way and Jegog playing in his own way which is the focal point of the work made by the stylist to become innovative, creative and traditional ideas.
Downloads
References
Adnyana, I. M. P. I. G. Y. H. S. (2019). Patra Dalung, Sebuah Komposisi Karawitan Bali Yang Lahir Dari Fenomena Sosial Di Desa Dalung. Kalangwan: Jurnal Seni Pertunjukan, 5(1), 61–67. https://jurnal.isi-dps.ac.id/index.php/kalangwan/article/view/670
Ardana, I Ketut. “Metode Penciptaan Karya-Karya Baru Karawitan Bali.” Institut Seni Indonesia Yogyakarta, t.t.
Bhumi, I. Made Bayu Puser; Hendra Santosa. 2019. “Pelatihan Gender Wayang Pada Generasi Muda Bali Untuk Melawan Dampak Negatif Kemajuan Teknologi.” KALANGWAN Jurnal Seni Pertunjukan 5(2):99–105. doi: https://doi.org/10.31091/kalangwan.v5i2.777.
Daniswara, I Putu. “Megineman A New Creative Musical Composition” 01, no. 02 (2021). https://doi.org/10.59997/jurnalsenikarawitan.v1i2.335
Dibya, I Wayan. KOTEKAN Dalam Musik Dan Kehidupan Bali. Denpasar: Balimangsi Foundation, Institut Seni Indonesia Denpasar, 2017.
Dibia, I. W. (2020). Panca Sthiti Ngawi Sani; Metodologi Penciptaan Seni. Pusat Penerbitan LP2MPP Institut Seni Indonesia (ISI) Denpasar.
Haryanto, Tri, dan Dru Hendro. “Greng Sebuah Estetika Dalam Kerampakan Antara Gamelan dan Vokal” 5 (2019). Doi: https://doi.org/10.31091/kalangwan.v5i1.728
Kariasa, I Nyoman, dan I Wayan Diana Putra. “Karya Karawitan Baru Manikam Nusantara.” Mudra Jurnal Seni Budaya 36, no. 2 (2021): 222–29. https://doi.org/10.31091/mudra.v36i2.1471.
Kadek Samego, T. H. (2021). Karawitan Composition Brama Rupa | Komposisi Karawitan Brama Rupa. Ghurnita Jurnal Seni Karawitan, 01(04), 281–289. https://jurnal2.isi-dps.ac.id/index.php/ghurnita/article/view/480
Nagara, I. Putu Purwwangsa; I. Nyoman Sudiana. 2021. “Gamelan Gender Wayang Composition ‘Sandaran Laju’ | Komposisi Gamelan Gender Wayang ‘Sandaran Laju.’” GHURNITA: Jurnal Seni Karawitan 01(02):117–25. doi: https://doi.org/10.59997/jurnalsenikarawitan.v1i2.333.
Pryatna, I. P. D., Santosa, H., & Sudirga, I. K. (2020). Permainan Kendang Bali. Dewa Ruci: Jurnal Pengkajian Dan Penciptaan Seni, 15(2), 90–100. https://doi.org/10.33153/dewaruci.v15i2.2991
Santosa, Hendra. 2005. Pengetahuan Multimedia Jilid 1. Denpasar.
Satya, I. Putu Gede Wira. 2023. “Introduction to the Contemporary Musical Composition ‘Life Style’ | Pengantar Komposisi Musik Kontemporer ‘Life Style.’” GHURNITA: Jurnal Seni Karawitan 1(2):84–91. doi: https://doi.org/10.59997/jurnalsenikarawitan.v1i2.337.