Innovative Karawitan Artwork Ngulat | Karya Karawitan Inovatif Ngulat

Authors

  • I Made Agus Sumantra Seni Karawitan ISI Denpasar
  • I Ketut Partha Seni Karawitan ISI Denpasar

DOI:

https://doi.org/10.59997/jurnalsenikarawitan.v3i3.2159

Keywords:

novative karawitan, Wickerwork, Ngulat, Semar pegulingan

Abstract

Coconut trees play an important role in people's lives in Bali. Coconut trees are very useful for Hindu religious ceremonies in Bali. Starting from coconut tree trunks can be used as material for building houses, coconut fruit can be used as a part of ceremonies and traditional medicine, coconut processed products can be used as coconut oil, and coconut leaves can be used as an offering of Hindu religious ceremonies in Bali. Based on this reality, the composer was inspired to use the coconut leaves as an idea to create a karawitan artwork entitled ''NGULAT''. Ngulat is a wickerwork or woven made of bamboo, pandan, or coconut leaves. The method used in the innovative karawitan artwork "Ngulat" is the method of Alma M. Hawkins divided into three stages: assessment, trial, and formation. The creation process used by the composers is based on Tri Angga structure:  pangawit, pangawak, and pangecet. The composer chose Gamelan Semar Pagulingan to transform the idea of coconut leaves wickerwork into a beautiful combination of seven tones in the Semar Pagulingan gamelan with patet selisir and patet selendro alit, which were supported by 13 (thirteen) musicians from the Mekar Seruni Studio in Banjar Sayan Delodan, Wherdi Village Bhuana, Mengwi District, Badung Regency.

Downloads

Download data is not yet available.

References

Arya Sugiartha, I Gede. 2015. “Kontribusi Seni Bagi Masyarakat : Bentuk dan Konsep Estetik Musik Tradisional Bali”, dalam Panggung Jurnal Ilmiah Seni & Bahasa Vol. 25 No. 1 Maret 2015. Bandung : STSI Bandung. http://dx.doi.org/10.26742/panggung.v25i1.14

Darmayasa, I. Ketut Agus, and Kadek Suartaya. 2023. “Music Composition ‘Sekar Layu’ | Komposisi Musik Inovatif ‘Sekar Layu.’” GHURNITA: Jurnal Seni Karawitan 1(4):224–33. doi: https://doi.org/10.59997/jurnalsenikarawitan.v1i4.422.

Dibia, I Wayan. 1999. Selayang Pandang Seni Pertunjukan Bali. Bandung : Penerbit Masyarakat Seni Pertunjukan Indonesia.

Dibia, I Wayan. 2020. Ngunda Bayu Teknik Pengolahan Tenaga Dalam Seni Pertunjukan Bali. Denpasar : Penerbit Geria Olah Kreativitas Seni (GEOKS).

Hawkins, M. A. 1965. Creating Through Dance diterjemahkan oleh Y. Sumandiyo Hadi. 1990. Mencipta Lewat Tari. Institut Seni Indonesia Yogyakarta. Yogyakarta.

Nagara, I. Putu Purwwangsa; I. Nyoman Sudiana. 2021. “Gamelan Gender Wayang Composition ‘Sandaran Laju’ | Komposisi Gamelan Gender Wayang ‘Sandaran Laju.’” GHURNITA: Jurnal Seni Karawitan 01(02):117–25. doi: https://doi.org/10.59997/jurnalsenikarawitan.v1i2.333.

McPhee, Collin. 1966. Music in Bali. Yale : University Press.

Miller, Hugh M. 2017. Apresiasi Musik. Yogyakarta : Thafa Media.

Pratama, Gede Made Rama, and Saptono -. 2023. “Campuhan: A New Music Creation | Campuhan: Sebuah Musik Kreasi Baru.” GHURNITA: Jurnal Seni Karawitan 1(2):92–99. doi: https://doi.org/10.59997/jurnalsenikarawitan.v1i2.149.

Raka, I. Made Raka Adnyana, and Saptono -. 2022. “Karawitan Composition ‘Samsara’ | Komposisi Karawitan ‘Samsara.’” GHURNITA: Jurnal Seni Karawitan 2(4):266–74. doi: 1 https://doi.org/0.59997/jurnalsenikarawitan.v2i4.1151.

Santosa, Hendra. 2017. “Gamelan Perang Di Bali Abad Ke-10 Sampai Awal Abad Ke-21.” Sumedang: Universitas Padjadjaran.

Santosa, H. (2005). Pengetahuan Multimedia Jilid 1.

Sutyasa, I. Made Agus Natih, Saptono Saptono, and I. Ketut Muryana. 2023. “Karya Karawitan Inovatif ‘Ngincung.’” Jurnal Mebang: Kajian Budaya Musik Dan Pendidikan Musik 3(1):1–14. doi: https://doi.org/10.30872/mebang.v3i1.53.

Satya, I. Putu Gede Wira. 2023. “Introduction to the Contemporary Musical Composition ‘Life Style’ | Pengantar Komposisi Musik Kontemporer ‘Life Style.’” GHURNITA: Jurnal Seni Karawitan 1(2):84–91. doi: https://doi.org/10.59997/jurnalsenikarawitan.v1i2.337.

Yudha, I. Nyoman, Putra Widiantara, Hendra Santosa, and Kadek Suartaya. 2020. “Proses Penciptaan Komposisi Karawitan Kreasi Baru Paras Paros.” 8(April):1–13. doi: https://doi.org/10.24821/promusika.v1i1.3607.

Downloads

Published

2023-08-25

Issue

Section

Articles