Ngunying From Ritual To Music Composition | Ngunying Dari Ritual Menjadi Kompoisisi Musik

Authors

  • Wardizal Wardizal Dosen Fakulras Seni Pertunjukan ISI Dps

DOI:

https://doi.org/10.59997/jurnalsenikarawitan.v1i2.211

Keywords:

Ngunying, Ritual, Music Composition

Abstract

"Ngunying" is a form of sacred tradition that grows and develops in the midst of the socio-cultural life of the people of Bangli Regency. Ngunying is a ritual as a form of community offering in Bebalang Village to Sang Hyang Widhi Wasa. The ngunying tradition is a gift by Ida Betara Durga, because the ngunying tradition can be used as a neutralizer of the universe from the disturbance of the bhuta kala. It is believed that after the implementation of this procession the community will find peace, balance, and harmony in the village. The Ngunying tradition as a ritual and sacred ceremony is interesting to be transformed into a musical composition. In that context, the musical composition with the title "Ngunying" was created for the purposes of the Final Project examination at the Karawitan Art Study Program, Faculty of Performing Arts, ISI Denpasar. Even semester of academic year 2020/2021.. This work is in the form of percussion pategak bebarongan creations with the media expressing the gamelan semar pagulingan saih pitu. Given the Covid-19 pandemic situation, then. This work uses a sample of the gamelan tone of Semar Pagulingan Saih Pitu which is then processed, processed or poured into the FL Studio and Cubade 5 multimedia applications.

Downloads

Download data is not yet available.

References

A.A.M.Djelantik (1999) Estetika: Sebuah Pengantar. Bandung: Masyarakat Seni Pertunjukan Indonesia (MSPI).

Alit, B. (2013) ‘Tabuh Petegak Bebarongan Buda Kecapi’. Gianyar: Sanggar Bona Alit.

Arya Sugiartha (2012) Kreatifitas Musik Bali Garapan Baru Perspektif Cultural Studies. Denpasar: UPT Penerbitan ISI Denpasar.

Garwa, I. K. (2009) Buku Ajar Komposisi Karawitan IV. Denpasar: Institut Seni Indonesia.

Hawkins, A. (2003) Creating Through Dance (Terjemahan, Sumandyo Hadi). Yogyakarta.

Made Putra Adnyana, I Gede Yudarta, H. S. (2019) ‘Patra Dalung, Sebuah Komposisi Karawitan Bali Yang Lahir Dari Fenomena Sosial Di Desa Dalung’, Kalangwan: Jurnal Seni Pertunjukan, 5(1), pp. 61–67. Available at: https://jurnal.isi-dps.ac.id/index.php/kalangwan/article/view/670.

Musna, W. (1994) Kamus Agama Hindu. D: Upada Sastra.

Partana (2015) ‘Tabuh Petegak Bebarongan Banaspati’. Badung: Pemda Badung.

Putra, I. K. A. G. A. S. N. M. A. I. K. A. (2019) ‘Struktur Melodi Dan Gagebug Pada Gending Sekati Ririg Cenik Di Desa Adat Tejakula Kabupaten Buleleng’, Kajian Seni, 06(1), pp. 81–90. doi: 10.22146/jksks.52057.

Putra, I. K. A., Santosa, H. and Sudirga, I. K. (2020) ‘The Concept of Balance at Sekati Ririg Gending in Tejakula , Buleleng Regency’, HARMONIA jurnal Arts Of Research and Education, 20(2), pp. 183–194. doi: 10.15294/harmonia.v20i2.25412.

Sadguna, I. G. M. I. (2010) Kendang Bebarongan Dalam Karawitan Bali Sebuah Kajian Organologi. Yogyakarta: KANISIUS (Anggota IKAPI).

Santosa, H. (2005) Pengetahuan Multimedia Jilid 1. Denpasar.

Saptono, Haryanto, T. and Hendro, D. (2019) ‘Greng Sebuah Estetika Dalam Kerampakan Antara Gamelan dan Vokal’, KALANGWAN Jurnal Seni Pertunjukan, 5(1), pp. 29–38.

Suastika, I Gede Putu. Sudiana, I Nyoman. Sudhana, I. K. (2020) ‘Manis Batu Sebuah Garapan Kreasi Baru Gamelan Semar Pagulingan Saih Pitu’, Segara Widya, 8(1), pp. 1–12. Available at: https://jurnal.isi-dps.ac.id/index.php/segarawidya/article/view/1046.

Sukerta, P. M. (2010) Tetabuhan Bali I. Surakarta: ISI Press Surakarta.

Wirawan, I. W. A. (2018) ‘Tabuh Pategak Bebarongan Uyang-uyang’. Denpasar: ISI Denpasar.

Downloads

Published

2023-07-03

Issue

Section

Articles