KONTRUKSI IDENTITAS DALAM FOTO PREWEDDING BERGAYA BALI 1930

Main Article Content

Cokorda Istri Puspawati Nindhia
Ida Ayu Dwita Krisna Ari

Abstract

Photography is no longer present only in the form of objective recording of an event, in the current development of photography into a postmodern identity, a wedding will not be complete without a pre-wedding photo. The beauty of photographic objects becomes a shot of art in the art of photography. However, the reality recorded in photography can have two meanings. There is a meaning of falsehood, because for some people it is not a figure they usually see because they are decorated and stylish which is sometimes out of the ordinary. However, there is also the meaning of truth, because for some other people see that the figure is the real person. Because they only see someone in the photo media on the basis of certain interests, such as pre-wedding photos The classic Balinese style of 1930 Bali is becoming a current trend that is starting to be liked by the public. This style is like a diversion of people's boredom with the commodification of modern Balinese clothing that seems excessive and uses a background of splendor. The reconstruction of Balinese culture in the 1930s from the colonial era in the photos contained which can change our view of the actual situation so that it will create ambiguity in the future will certainly challenge the concept of early photography as a medium for documenting reality. The use of photos no longer reflects the reality as it is, but is influenced by the situation of the camera user or the subject of the photo. the beginning of the birth of photography as a tool to show authentic and objective data in the form of image documents to find out the truth of a condition along with the development of photography technology is no longer able to position itself as a means of proving a truth but, only shifts away to seek profit in professional circles and as part of lifestyle attributes to increase the degree of social differentiation in the eyes of society.

Downloads

Download data is not yet available.

Article Details

How to Cite
Nindhia, C. I. P., & Ari, I. A. D. K. (2021). KONTRUKSI IDENTITAS DALAM FOTO PREWEDDING BERGAYA BALI 1930. AMARASI: JURNAL DESAIN KOMUNIKASI VISUAL, 2(02), 229–236. Retrieved from https://jurnal2.isi-dps.ac.id/index.php/amarasi/article/view/750
Section
Artikel

References

Bawa Atmaja (2019) Bisnis Foto Prewedding: Komersialisasi Ritual Perkawinan pada Masyarakat Bali, Jurnal Kajian Bali

Barker,Chris (2004) Cultural Studies teori dan Praktik,Yogyakarta :Kreasi Wacana

Moleong, J,Lexy 2000, Metode Penelitian Kualitatif, Bandung: PT Remaja Rosdakarya

Munandar,Utami. 2004. Pengembangan Emosi dan Kreativitas. Jakarta ; Rineka Cipta.

Nindhia, Cok Puspawati Style (2015) Bali dalam foto prewedding Jurnal Segara Widya Vol 3 no 1 November 2015

Nindhia, Cok Puspawati ( 2019) Estetika Ideational foto prewedding style Bali, Jurnal Bahasa Rupa vol 3 no1 Oktober 2019

Soedjono,Soeprapto,2006. Pot-Pourri Fotografi.Jakarta:Penerbit Universitas Trisakti