The Work Of I Ketut Budiana Become A Source Of Inspiration For Painting Art Works

Authors

  • I Wayan Ega Arsana Program Studi Seni Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar
  • Sri Supriyatini Program Studi Seni Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar
  • I Wayan Karja Program Studi Seni Murni, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Denpasar

DOI:

https://doi.org/10.59997/citakara.v2i2.1848

Keywords:

I Ketut Budiana, Inspiration, Traditional, Bamboo Brush and Painting.

Abstract

Departing from an idea about the author's past which always has its own meaning in every strange form, which raises the theme of I Ketut Budiana's Painting As a Source of Painting Inspiration. departing from an idea about the author's past which always has its meaning in every strange form. From this the urge to present visualizations of human figures and creatures in nature by combining certain techniques and references to achieve the desired goals and meanings. The problem presented is how to process the form and represent ideas so that in realizing the work looks interesting. The goals and benefits are to reflect the new and elevate the existing existence. To answer what is the purpose of this work, the method of creation uses exploration, improvisation, and formation. With elements of art, and through the stages of exploration, improvisation, and the formation stage, and combined with ideas and ideas to create 6 works entitled: 1) “Becoming a Slave”, 2) “Forgot Time”, 3) “Bird”, 4) “Where to?”, 5) “Ghost!!!”, 6) “Training”. In the end, it can be said that traditional art, which inspires a lot of work and is very interesting to be raised and developed with imaginative ideas, will become worthy and meaningful works. With the creation of this work, it is hoped that it can convey a message or meaning to a personal phenomenon that the author has experienced.

References

Adi Putra W, I Putu & Yudarta, I Gede. (2020). Kajian Elemen-elemen Lukisan Cerita Ramayana Karya I Ketut Budiana. Prabangkara Jurnal Seni Rupa dan Desain, Volume 24 Nomor 1, halaman 2

artjog.id. (2021). I Nyoman Masriadi. Diakses pada 8 November 2021, dari https://www.artjog.id/artist.php?id=14#2

Budiana, I Ketut. Wawancara pribadi. 10 Januari 2022.

Karja, I Wayan. (2020). Kosmologi Bali: Visualisasi Warna Pangider Bhuwana dalam Seni Lukis Kontemporer. Denpasar: UNHI Press.

Indoartnow.com. (2017). Ida Bagus Putu Purwa. Diakses pada 8 November 2021, dari https://indoartnow.com/artists/ida-bagus-putu-purwa

Setem, Wayan. (2021). Kosarupa Bali. Denpasar: Prasasti.

Yudha, Bendi. (2010). Metode Proses Penciptaan Simbolisasi Bentuk Dalam Ruang Imaji Rupa,[online]. Tersedia: http://repo.isi-dps.ac.id/140/1/Metode_Proses_Penciptaan_Simbolisasi_Bentuk_Dalam_Ruang _Imaji_ Rupa.pdf Diakses pada 3 Januari 2022

Yudi Arta, I Made. 2014. “Topeng Pajegan Sebagai Sumber Inspirasi Dalam Karya Seni Lukis”. Fakultas Seni Rupa dan Desain. Jurusan Seni Rupa Murni: Seni Lukis. Institut Seni Indonesia. Denpasar.

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Published

2022-10-24

How to Cite

I Wayan Ega Arsana, Sri Supriyatini, & I Wayan Karja. (2022). The Work Of I Ketut Budiana Become A Source Of Inspiration For Painting Art Works. CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI, 2(2), 79–86. https://doi.org/10.59997/citakara.v2i2.1848

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