Bwah Loka in Sarad Pulagembal as an Idea for Creating Sculpture

Main Article Content

I Made Suwardana Tenaya
I Ketut Mustika
I Made Jodog

Abstract

The yadnya ceremony in Bali cannot be separated from an upakara or offering. One of the upakara or offerings that contains a touch of artistic elements is Sarad Pulagembal. Sarad Pulagembal is made from rice flour dough given various colors, symbolizing the positive powers of Bhuwana Agung. In Sarad Pulagembal there are components that are distributed according to the position in the Tri Loka, namely from bottom, to middle, to top (Bhur, Bwah, Swah). Bhur Loka is the layers of negative natural dimensions, Bwah Loka is the layers of the cycle of life and death, Swah Loka is the layers of positive natural dimensions. In the middle part (Bwah Loka) depicts elements of the living world such as humans and animals, the sarad pulagembal will of course contain these elements. The aim to be achieved in the creation of this work is to find out the contents of Sarad Pulagembal, especially in the middle part (Bwah Loka) and it will be developed with creativity and imagination into the form of a sculptural work of art using elements of fine art, such as color, media and techniques. . In the process of realizing this work, the author used interview, observation and experiment methods. From the theme above, 5 (five) sculpture works will be created entitled Purusa, two works entitled Pradana, three works entitled Tunjung, four works entitled Angsa, and five works entitled Boma.

Article Details

How to Cite
Tenaya, I. M. S. ., Mustika, I. K., & Jodog, I. M. (2024). Bwah Loka in Sarad Pulagembal as an Idea for Creating Sculpture. CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI, 4(1), 108–114. https://doi.org/10.59997/ctkr.v4i1.3644
Section
Articles

References

Adi Udyana, I Made. I Ketut Muka. Made Ruta. 2022.” Konsep Tetandingan Jaje Sarad Pulagembal Sebagai Seni Lukis”. CITAKARA Jurnal Penciptaan dan Pengkajian Seni Murni. Volume 2 no. 1. https://jurnal2.isi-dps.ac.id/index.php/citrakara/article/download/1544/444.

Andre, kadek. “Penggunaan Banten Sarad Pulagembal Pada Upacara Dewa Yadnya”. https://id.scribd.com/document/454759440/Banten-Sarad-PULAGEMBAL

Ayu Pradnyani Utami, Ni Luh. Tjok Istri Ratna Cora Sudharsana. I Wayan Sukarya. 2021. “Sarad Pulagembal The Symbol Of Universe”. https://jurnal2.isi-dps.ac.id/index.php/bhumidevi/article/view/302

Dudyk Arya Putra, I Putu. Desak Putu Yogi Antari Tirta Yasa. 2023. “ Perancangan Buku “Jaje Pulegembal Payas” Sebagai Sarana Literasi Serati Banten Di Desa Sedang”. Journal on Education Volume 06, No. 01. https://jonedu.org/index.php/joe/article/download/4094/3352/

Deva Kresna Yoga, I Gede. I Made Jodog. I Wayan Setem. 2022. “Susu Ibu Sebagai Inspirasi Dalam Penciptaan Karya Seni Patung”. CITAKARA Jurnal Penciptaan dan Pengkajian Seni Murni, Volume 2, No.2. https://jurnal2.isi-dps.ac.id/index.php/citrakara/article/download/1845/651/4306

Fiska, R. Pengertian Estetika : Fungsi Dan Teorinya. From gramedia: https://www.gramedia.com/literasi/estetika-adalah/

Intan Septiana Dewi, Anak Agung. I Made Girinata. I Gusti Made Widya Sena. 2018. “Penggunaan Sarad Pada Upacara Panca Wali Krama Di Pura Samuan Tiga Desa Pakraman Taman Bedulu Kabupaten Gianyar”. http://sim.ihdn.ac.id/app-assets/repo/repo-dosen-261908125707-55.pdf

Nugroho, Muhammad Afid. 2016. “Ragam Ikan Sebagai Inspirasi Dalam Berkarya Seni Patung”. http://lib.unnes.ac.id/29591/1/2411409053.PDF

Solihat, Ilmi. 2017. “Makna Dan Fungsi Patung-Patung Di Bundaran Citra Raya Kabupaten Tangerang Provinsi Banten”. Jurnal Membaca Volume 2 Nomor 2. https://jurnal.untirta.ac.id/index.php/jurnalmembaca/article/view/2712/2137

Tri Nugroho, Faosan. 2022. “Pengertian Seni Patung, Fungsi, Jenis, Teknik, Bahan, dan Alat untuk Membuatnya”. https://www.bola.com/ragam/read/5146894/pengertian-seni-patung-fungsi-jenis-teknik-bahan-dan-alat-untuk-membuatnya?page=4

Wirawan, I Gusti Ngurah, S.Sn., M.Sn. 2016. “Sarad Pulagembal The Symbol Of Tri Loka” https://download.isi-dps.ac.id/index.php/category/62karyadesain?download=1856:deskripsi-karya-saradpulagembal-the-symbol-of-tri-loka

Yanarko, Hari Akbar. 2012. “Terumbu Karang Sebagai Inspirasi Penciptaan Patung Deformasi”. https://eprints.uny.ac.id/27945/1/Hari%20Akbar%20Yanarko%2006206241029.pdf

Yasa, I Made (.), Serati, Wawancara tanggal 28 Oktober 2023 di Pura Taman Tirta harum Pesangkan, BR. Dinas Pesangkan, Duda Timur, Selat, Karangasem, Bali.

Yudabakti I Made, I Wayan Watra. 2010. ”Filasafat Seni Sakral dalam Kebudayaan Bali”.PARAMITA. Surabaya.

Zuryani, Nazrina. 2015. “Sarad-Jatah”: Representasi Sosio-Religius pada Budaya Pangan di Bali” https://ojs.unud.ac.id/index.php/kajianbali/article/download/15617/10410/

Most read articles by the same author(s)

1 2 > >>