Aesthetic Exploration and Creation Techniques of Concrete Statue of Dewi Saraswati

Authors

  • Wayan Okatama Program Study Kriya Fakultas Seni Rupa dan Desain Institut Seni Indonesia Bali
  • nyoman ngidep Program Study Kriya Fakultas Seni Rupa dan Desain Institut Seni Indonesia Bali
  • I Nyoman Laba Program Studi Kriya, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Bali

DOI:

https://doi.org/10.59997/hastagina.v5i02.5694

Keywords:

aesthetic exploration, creation techniques, concrete sculpture, Dewi Saraswati

Abstract

Sculpture is a form of three-dimensional visual expression that not only emphasizes aesthetic value but also embodies profound symbolic and spiritual meanings. In Balinese cultural tradition, the statue of Dewi Saraswati holds significant importance as a religious symbol representing knowledge, wisdom, and purity. These values have been passed down from generation to generation, making the statue not merely a work of art but also an integral part of religious practice and spiritual life. Therefore, the exploration of the creation of the Dewi Saraswati statue is considered relevant, particularly in the context of expanding artistic practices to other regions, such as South Lampung Regency.

This exploration focuses on both the aesthetic aspects and technical processes involved in creating the statue using concrete as the primary material. Concrete is chosen for its durability, malleability, and strong visual expression. South Lampung is regarded as having great potential, both in terms of raw material availability and the local Hindu community’s demand for religious statues as decorative and symbolic elements in worship spaces and residential environments.

The creation process adopts the "Three Stages Six Steps" method proposed by Gustami (2004), encompassing phases from initial observation to final evaluation. The result is a concrete Dewi Saraswati statue that not only highlights aesthetic quality but also carries strong symbolic meaning. These findings affirm that concrete has significant potential to be developed as an alternative medium for sculpture, particularly in the context of South Lampung’s cultural and artistic growth.

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Published

2025-10-13

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